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	Comments on: Cinematic Storytelling (3)	</title>
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	<description>Story. Screenplay. Sale.</description>
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		<title>
		By: Martin Simpson		</title>
		<link>https://www.thestorydepartment.com/cinematic-storytelling-3/#comment-789</link>

		<dc:creator><![CDATA[Martin Simpson]]></dc:creator>
		<pubDate>Tue, 19 Oct 2010 20:35:39 +0000</pubDate>
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					<description><![CDATA[Screen composition, lighting, and the moving camera, in the hands of a good cinematographer, can take charge of the clues the writer gives in his action lines and make them glorious. &#039;Every frame a Rembrandt&#039; is a great aim that requires perfect coordination between the writer who plants the seed, the director who nurtures it, and the cinematographer and gaffer who bring it to fruition. When that rare synergy works I gaze at the screen in joyous appreciation.]]></description>
			<content:encoded><![CDATA[<p>Screen composition, lighting, and the moving camera, in the hands of a good cinematographer, can take charge of the clues the writer gives in his action lines and make them glorious. &#8216;Every frame a Rembrandt&#8217; is a great aim that requires perfect coordination between the writer who plants the seed, the director who nurtures it, and the cinematographer and gaffer who bring it to fruition. When that rare synergy works I gaze at the screen in joyous appreciation.</p>
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