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	<title>
	Comments on: You Finished Your Script, Now What?	</title>
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	<description>Story. Screenplay. Sale.</description>
	<lastBuildDate>Fri, 07 Mar 2014 07:55:37 +0000</lastBuildDate>
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		<title>
		By: Steven Fernandez		</title>
		<link>https://www.thestorydepartment.com/finished-script-now/#comment-37270</link>

		<dc:creator><![CDATA[Steven Fernandez]]></dc:creator>
		<pubDate>Fri, 07 Mar 2014 07:55:37 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=31164#comment-37270</guid>

					<description><![CDATA[Good, solid, practical tips and advice.  Approach targeted production companies with your polished scripts instead of agents and managers:  Definitely!  Particularly when you are early in your career.  (Agents and managers aren&#039;t interested in you at that stage.)  

Pitch at pitchfests:  Definitely!  And not just for the sake of reaching many production companies and/or improving your pitching skills (as Steve Kaire points out).  Pitchfests can be a valuable source of market and business intel.  If you are making an honest and intelligent effort at pitching a well-thought-out story, the execs will accord you the respect of giving you some canny insights (for example, that maybe the content is better suited as a graphic novel or web series to start with).  I have personally found this to be particularly true with LA execs.  If you act professionally towards them, they will generously return you the favour.  And this mutual respect can become the basis of a lasting, fruitful, relationship - provided you don&#039;t abuse the fragile trust (such as emailing them a full script without them asking for it).  

Steven.]]></description>
			<content:encoded><![CDATA[<p>Good, solid, practical tips and advice.  Approach targeted production companies with your polished scripts instead of agents and managers:  Definitely!  Particularly when you are early in your career.  (Agents and managers aren&#8217;t interested in you at that stage.)  </p>
<p>Pitch at pitchfests:  Definitely!  And not just for the sake of reaching many production companies and/or improving your pitching skills (as Steve Kaire points out).  Pitchfests can be a valuable source of market and business intel.  If you are making an honest and intelligent effort at pitching a well-thought-out story, the execs will accord you the respect of giving you some canny insights (for example, that maybe the content is better suited as a graphic novel or web series to start with).  I have personally found this to be particularly true with LA execs.  If you act professionally towards them, they will generously return you the favour.  And this mutual respect can become the basis of a lasting, fruitful, relationship &#8211; provided you don&#8217;t abuse the fragile trust (such as emailing them a full script without them asking for it).  </p>
<p>Steven.</p>
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