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	<title>
	Comments on: Get Out Is An Instant-Classic [Five Reasons &#8211; And Spoilers]	</title>
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		<title>
		By: Clive Hopkins		</title>
		<link>https://www.thestorydepartment.com/get-out-instant-classic/#comment-340993</link>

		<dc:creator><![CDATA[Clive Hopkins]]></dc:creator>
		<pubDate>Thu, 08 Jun 2017 02:38:16 +0000</pubDate>
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					<description><![CDATA[Good article Karel, and a great film that all aspiring film makers in Australia need to study.  Australian films in the main are not competing for the audience of big Hollywood films, they&#039;re competing for the audience of films like Get Out.  Get Out had an outstanding script, with a fantastic audacious concept behind it that people will talk about long after they leave the cinema. If you really want to compete for this audience, that&#039;s the quality of script you need to aim for.

Karel, on Blade Runner  – you prefer the original, with its voice-over and tacked on happy ending,  to the director&#039;s cut with  no voice-over and the heart-rending final moment with the origami unicorn? Really?]]></description>
			<content:encoded><![CDATA[<p>Good article Karel, and a great film that all aspiring film makers in Australia need to study.  Australian films in the main are not competing for the audience of big Hollywood films, they&#8217;re competing for the audience of films like Get Out.  Get Out had an outstanding script, with a fantastic audacious concept behind it that people will talk about long after they leave the cinema. If you really want to compete for this audience, that&#8217;s the quality of script you need to aim for.</p>
<p>Karel, on Blade Runner  – you prefer the original, with its voice-over and tacked on happy ending,  to the director&#8217;s cut with  no voice-over and the heart-rending final moment with the origami unicorn? Really?</p>
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