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	Comments on: Novel Adaptations: 4 Challenges	</title>
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		By: From Novel to Movie Script &#124; the play is the thing . . .		</title>
		<link>https://www.thestorydepartment.com/novel-adaptations/#comment-549</link>

		<dc:creator><![CDATA[From Novel to Movie Script &#124; the play is the thing . . .]]></dc:creator>
		<pubDate>Mon, 25 Jun 2012 13:08:51 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=9078#comment-549</guid>

					<description><![CDATA[[...] From Literature to Cinema ; from Novel to Movie Script &#124; The Story Department. A very helpful article for those of us travelling down this challenging road! Share this:ShareFacebookTwitterEmailPrintPinterestLinkedInLike this:LikeBe the first to like this.   This entry was posted in Screenwriting and tagged adaptation, author, novel, screenplay, screenwriting by Amanda Jane Starr. Bookmark the permalink. [...]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] From Literature to Cinema ; from Novel to Movie Script | The Story Department. A very helpful article for those of us travelling down this challenging road! Share this:ShareFacebookTwitterEmailPrintPinterestLinkedInLike this:LikeBe the first to like this.   This entry was posted in Screenwriting and tagged adaptation, author, novel, screenplay, screenwriting by Amanda Jane Starr. Bookmark the permalink. [&#8230;]</p>
]]></content:encoded>
		
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		<title>
		By: From Novel to Movie Script &#124; the play is the thing . . .		</title>
		<link>https://www.thestorydepartment.com/novel-adaptations/#comment-550</link>

		<dc:creator><![CDATA[From Novel to Movie Script &#124; the play is the thing . . .]]></dc:creator>
		<pubDate>Mon, 25 Jun 2012 13:08:51 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=9078#comment-550</guid>

					<description><![CDATA[[...] From Literature to Cinema ; from Novel to Movie Script &#124; The Story Department. A very helpful article for those of us travelling down this challenging road! Share this:ShareFacebookTwitterEmailPrintPinterestLinkedInLike this:LikeBe the first to like this.   This entry was posted in Screenwriting and tagged adaptation, author, novel, screenplay, screenwriting by Amanda Jane Starr. Bookmark the permalink. [...]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] From Literature to Cinema ; from Novel to Movie Script | The Story Department. A very helpful article for those of us travelling down this challenging road! Share this:ShareFacebookTwitterEmailPrintPinterestLinkedInLike this:LikeBe the first to like this.   This entry was posted in Screenwriting and tagged adaptation, author, novel, screenplay, screenwriting by Amanda Jane Starr. Bookmark the permalink. [&#8230;]</p>
]]></content:encoded>
		
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		<title>
		By: Simon Morice		</title>
		<link>https://www.thestorydepartment.com/novel-adaptations/#comment-548</link>

		<dc:creator><![CDATA[Simon Morice]]></dc:creator>
		<pubDate>Mon, 05 Apr 2010 14:28:38 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=9078#comment-548</guid>

					<description><![CDATA[This is very interesting and important stuff. 

I&#039;ve come to a conclusion which this article seems to support. It&#039;s an impossible and even pointless task to try make a film of a book. They are quite different storytelling media. 

It seems to me like trying to make a salad out of a roast dinner. You end up wiping the gravy from the roast beef, adding some lettuce and then throwing out most of the veg.

But to make a film of a story about which somebody wrote a book, sang a song, painted a picture or told around a campfire? Now that seems very much more reasonable to me.

You say &quot;look to capture the essence and spirit of the story&quot; and I can&#039;t agree enough. The underlying story is what attracts us to make the film, regardless of the medium chosen by the original teller.

There is a retired civil engineer who I know. He&#039;s now in his 80s but still plays jazz piano every Sunday at a very posh hotel near where he lives. He&#039;s really very good and writes most of his own songs. 

Talking to him about his music is fascinating. He develops a melody for a song and then draws it in music notation onto a canvas. Then he paints an evocative picture that includes the score. He shows it to the other band members. They know instantly what he means. I think that he has much to teach me about storytelling.]]></description>
			<content:encoded><![CDATA[<p>This is very interesting and important stuff. </p>
<p>I&#8217;ve come to a conclusion which this article seems to support. It&#8217;s an impossible and even pointless task to try make a film of a book. They are quite different storytelling media. </p>
<p>It seems to me like trying to make a salad out of a roast dinner. You end up wiping the gravy from the roast beef, adding some lettuce and then throwing out most of the veg.</p>
<p>But to make a film of a story about which somebody wrote a book, sang a song, painted a picture or told around a campfire? Now that seems very much more reasonable to me.</p>
<p>You say &#8220;look to capture the essence and spirit of the story&#8221; and I can&#8217;t agree enough. The underlying story is what attracts us to make the film, regardless of the medium chosen by the original teller.</p>
<p>There is a retired civil engineer who I know. He&#8217;s now in his 80s but still plays jazz piano every Sunday at a very posh hotel near where he lives. He&#8217;s really very good and writes most of his own songs. </p>
<p>Talking to him about his music is fascinating. He develops a melody for a song and then draws it in music notation onto a canvas. Then he paints an evocative picture that includes the score. He shows it to the other band members. They know instantly what he means. I think that he has much to teach me about storytelling.</p>
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