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	Comments on: POV as Controller of Tone	</title>
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		<title>
		By: Get Out Is An Instant Classic [5 Reasons - And A Few Spoilers]		</title>
		<link>https://www.thestorydepartment.com/pov-as-controller-of-tone/#comment-340978</link>

		<dc:creator><![CDATA[Get Out Is An Instant Classic [5 Reasons - And A Few Spoilers]]]></dc:creator>
		<pubDate>Wed, 07 Jun 2017 02:54:22 +0000</pubDate>
		<guid isPermaLink="false">https://pov-as-controller-of-tone/#comment-340978</guid>

					<description><![CDATA[[&#8230;] Mastery Of Tone &#8211; The hardest thing with genre blends, is to keep the tone in check. Scenes that play in one genre don&#8217;t always gel with the other. Even when you believe the script is fairly consistent in tone, the real challenges occur on set, [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Mastery Of Tone &#8211; The hardest thing with genre blends, is to keep the tone in check. Scenes that play in one genre don&#8217;t always gel with the other. Even when you believe the script is fairly consistent in tone, the real challenges occur on set, [&#8230;]</p>
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