<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>angelina jolie &#8211; The Story Department</title>
	<atom:link href="https://www.thestorydepartment.com/tag/angelina-jolie/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.thestorydepartment.com</link>
	<description>Story. Screenplay. Sale.</description>
	<lastBuildDate>Fri, 12 Nov 2010 11:22:06 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	

<image>
	<url>https://www.thestorydepartment.com/wp-content/uploads/2020/03/cropped-fav-32x32.png</url>
	<title>angelina jolie &#8211; The Story Department</title>
	<link>https://www.thestorydepartment.com</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">2808072</site>	<item>
		<title>How To Write For An A-List Actor (2)</title>
		<link>https://www.thestorydepartment.com/screenwriting-how-to-write-for-an-a-list-actor-2/</link>
					<comments>https://www.thestorydepartment.com/screenwriting-how-to-write-for-an-a-list-actor-2/#comments</comments>
		
		<dc:creator><![CDATA[Jamie Campbell]]></dc:creator>
		<pubDate>Fri, 12 Nov 2010 11:22:06 +0000</pubDate>
				<category><![CDATA[Pitching & Selling]]></category>
		<category><![CDATA[angelina jolie]]></category>
		<category><![CDATA[article series]]></category>
		<category><![CDATA[ben stiller]]></category>
		<category><![CDATA[brad pitt]]></category>
		<category><![CDATA[Denzel Washington]]></category>
		<category><![CDATA[johnny depp]]></category>
		<category><![CDATA[leonardo di caprio]]></category>
		<category><![CDATA[matt damon]]></category>
		<category><![CDATA[sandra bullock]]></category>
		<category><![CDATA[steve carrel]]></category>
		<category><![CDATA[tom cruise]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=14005</guid>

					<description><![CDATA[A question I always like to ask people in the know is, “What kind of character should you write to give yourself the best chance to attract an A-List actor?” The reason I ask is because there’s no quicker way to get your script sold or produced than to attach a star. Part One Actor: ... <a title="How To Write For An A-List Actor (2)" class="read-more" href="https://www.thestorydepartment.com/screenwriting-how-to-write-for-an-a-list-actor-2/" aria-label="Read more about How To Write For An A-List Actor (2)">Read more</a>]]></description>
										<content:encoded><![CDATA[<h3>A question I always like to ask people in the know is, “What kind of character should you write to give yourself the best chance to attract an A-List actor?”<br />
The reason I ask is because there’s no quicker way to get your script sold or produced than to attach a star.</h3>
<p><a href="https://thestorydepartment.com/screenwriting-how-to-write-for-an-a-list-actor/">Part One</a></p>
<h4>Actor: Ben Stiller</h4>
<p>The movie: Greenberg<br />
The Part: A formally suicidal man who moves into his brother’s house.</p>
<p>Why he likely chose it: A lot of our funniest actors are also the most tortured. Judging by the roles Stiller plays outside the comedic arena, I’m guessing he’s one of these people. Greenberg is all about a character who hates the world around him, hates the people around him, hates his own life. He complains and whines about the most mundane of societal etiquettes. My guess is that Stiller is using this character as a surrogate to deal with similar feelings and frustrations. Indeed, a lot of actors use their roles as therapy, as a way to tackle things that they haven’t been able to resolve in their personal lives.</p>
<h4>Actor: Denzel Washington</h4>
<p>The movie: Book of Eli<br />
The part: A loner delivering the last bible in a dangerous post-apocalyptic world.</p>
<p><strong>Why he likely chose it:</strong> Actors like to be the badass. They like to kick ass. And they like to look cool doing it. What’s cooler than a loner who cuts down his attackers in samurai-like stylistic flourishes? But that’s not the only thing going on here. Denzel’s character rarely speaks. Now younger actors always want a lot of lines. They equate more lines with more screen time. Older actors, particularly A-listers, like to occasionally tackle roles where they have very few lines, the reason being that it stretches their acting muscles. They have to act with their eyes and their bodies, which is much harder to do. Oh, and not to be outdone by Will Smith, did you notice that Denzel is also playing God? He’s delivering the bible in order to save the world. How much more heroic can you get?</p>
<h4>
Actor: Tom Cruise</h4>
<p>The movie: Knight and Day<br />
The part: A mysterious super-agent who must include a woman on his mission when he mistakenly involves her.</p>
<p><strong>Why he likely chose it:</strong> First of all, actors love to play spies. The reason for this is that spies are inherently conflicted. They’re always lying to everyone. They’re always having to keep secrets from the people closest to them. That inner struggle is very appealing to an actor. On top of that, Cruise’s character is a cape short of a superhero. He’s capable of superhuman feats &#8211; jumping on cars, leaping out of planes, killing dozens of enemies without breaking a sweat &#8211; What actor wouldn’t want to play someone so badass? And the cherry on top? The role allows Cruise to be charming and funny, creating the ultimate movie star role.</p>
<h4>
Actor: Brad Pitt</h4>
<p>The movie: Benjamin Button<br />
The part: A man who ages backwards.</p>
<p><strong>Why he likely chose it:</strong> Well in this case, we know exactly why Brad Pitt chose this role, as he’s talked on record about it numerous times. He chose the role under the stipulation that he get to play every single part, from Benjamin in his 80s to Benjamin as a baby. In the end, Fincher didn’t let him do this – but you can bet he told him he’d be able to. Out of all the characters I’m covering here, this one is probably the most unique, but it’s clear why Pitt chose it. It’s the ultimate acting challenge – playing a person at every age of their life. What actor wouldn’t be interested in that?</p>
<h4>
Actor: Angelina Jolie</h4>
<p>The movie: Salt<br />
The part: A CIA officer who’s accused of being a Russian spy.</p>
<p><strong>Why she likely chose it:</strong> Again, we have another spy role. So the reasons for choosing it are similar to Knight and Day. The conflict of lying to those closest to you. The fun of performing superhuman acts of heroism. Indeed, it’s not surprising that Cruise was once attached to this role. It’s also of note that the actress gets to play a female part that isn’t typically cast for females (and in this case, was actually written for a man). I think that appealed to Jolie in an “I can do that too” way. The one difference between this and the Knight and Day role is that there’s no humor here. But that’s because Jolie doesn’t have a sense of humor. :)</p>
<h4>
Actor: Johnny Depp</h4>
<p>The movie: Alice in Wonderland<br />
The part: The Mad Hatter</p>
<p><strong>Why he likely chose it:</strong> First off, you’re playing an iconic character. Every actor wants to play an iconic character. But outside of that, Depp’s reasoning was probably similar to Pitt’s. It’s another “ultimate acting challenge.” In general, actors like to play characters who are mad/insane because it allows them to go crazy with the character. Well The Mad Hatter’s the ultimate version of this. He’s got “mad” right there in his name! So to be able to have the latitude to go batshit crazy and challenge every fiber of your acting muscles is, indeed, the ultimate challenge. Also, a character this wacky and different doesn’t usually present itself in mainstream fare, so when it does, actors want to snatch it up. (see also: The Joker)</p>
<h4>
Actor: Leonardo Dicaprio</h4>
<p>The movie: Inception<br />
The part: A criminal who builds dream worlds in order to steal from others.</p>
<p><strong>Why he likely chose it:</strong> More than most actors out there, Leo values the character arc. He wants to dig into a character and resolve some internal problem just as much as he wants to resolve the outer one. Indeed, it can be argued that the inner journey here is more important than the external journey. Cobb must come to terms with the loss of his wife before he can achieve his goal. Huge portions of Inception are given to his character battling this problem – most of which were ordered by Leo himself. Also of note is just how tortured Cobb is. Tortured characters always appeal to serious-minded actors as a lot of actors are tortured in some way themselves.</p>
<h4>
Actress: Sandra Bullock</h4>
<p>The movie: The Blind Side<br />
The part: A well-off wife who takes in a troubled homeless teenager.</p>
<p><strong>Why she likely chose it:</strong> To this day, I don’t know why people liked this movie. I also have no idea how the role won Bullock an Oscar. The character isn’t a particularly complex one other than that she speaks with a southern accent. What I can gather is this. Women are more inclined to help those in need than men. For that reason, I can see why this role would appeal to Bullock. She gets to save someone who otherwise wouldn’t have been saved. Ahhh, wait a minute. Maybe there’s more to this than meets the eye. Not unlike our friend Will Smith in Seven Pounds, Bullock is *saving* another human being. Maybe roles really are a chance for actors and actresses to massage their egos and play God. Before I get hit with a blind side myself, it should be noted that women rarely get offered roles where they’re not dependent on a man in some capacity. So actresses are going to jump on these roles when they pop up.</p>
<h4>Actor: Steve Carrel</h4>
<p>The movie: Dinner for Schmucks<br />
The part: An obsessive clingy mouse taxidermist.</p>
<p><strong>Why he likely chose it:</strong> In most comedies, there’s the straight guy and there’s the crazy guy. The more innovative you make your crazy guy – the more likely an A-list comedian is going to want to play it. Remember, there’s not as much range in comedy as there is in other genres, so comedians often play the same role over and over again. They yearn for something different. This role is different in that it’s not a character who’s overtly funny (a la Jim Carrey in Liar Liar) but more weird. Getting to play someone strange and “off” is probably a big draw to a comedic actor, because the character has more going on than the typical “Look at how funny I am!” character.</p>
<h4>
Actor: Matt Damon</h4>
<p>The movie: Green Zone<br />
The part: An officer in Iraq looking for WMD’s.</p>
<p><strong>Why he likely chose it:</strong> It’s no secret that Matt Damon is a political guy. He forces it down your throat whenever he opens his mouth. So I’m guessing that was a big factor in why he chose this role. He basically gets to live out his dream – being the guy who *literally* discovers that there are no WMDs in Iraq. But that’s not all that’s going on here. There’s another trait that A-listers love in a character: The “My way or the highway” character. Characters that stand up to authority or refuse to follow orders will always appeal to actors because most actors are rebels themselves (they all rebelled against more conventional career choices when they gave acting a shot). You’ll notice that a lot of Matt Damon characters are like this, starting all the way back with Good Will Hunting.</p>
<p><em>Next week: CONCLUSIONS</em></p>
<p style="text-align: right;"><strong><em>-Carson Reeves<br />
</em></strong></p>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Jamie Campbell' src='https://secure.gravatar.com/avatar/28ffdb9b85fb4120857e279896be72f2f3471c2b71b8503c62c9332acec351d1?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/28ffdb9b85fb4120857e279896be72f2f3471c2b71b8503c62c9332acec351d1?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/jamie-campbell/" class="vcard author" rel="author"><span class="fn">Jamie Campbell</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p><a href="https://www.amazon.com/gp/product/1490439390/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1490439390&amp;linkCode=as2&amp;tag=thestorydept-20"></a><a href="https://www.jamiecampbell.com.au/">Jamie Campbell</a> is an author, screenwriter, and television addict.</p>
<p>Jamie is proud to be an Editor for The Story Department.</p>
<p>Her latest series <a href="https://jamiecampbell.com.au/the-project-integrate-series/">Project Integrate</a> is out now.</p>
</div></div><div class="saboxplugin-web "><a href="https://jamiecampbell.com.au" target="_self" >jamiecampbell.com.au</a></div><div class="clearfix"></div></div></div>]]></content:encoded>
					
					<wfw:commentRss>https://www.thestorydepartment.com/screenwriting-how-to-write-for-an-a-list-actor-2/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">14005</post-id>	</item>
		<item>
		<title>Best o/t Web 22 Aug</title>
		<link>https://www.thestorydepartment.com/screenwriting-best-ot-web-22-aug/</link>
					<comments>https://www.thestorydepartment.com/screenwriting-best-ot-web-22-aug/#respond</comments>
		
		<dc:creator><![CDATA[Solmaaz]]></dc:creator>
		<pubDate>Sat, 21 Aug 2010 16:34:12 +0000</pubDate>
				<category><![CDATA[Best of the Web]]></category>
		<category><![CDATA[act three]]></category>
		<category><![CDATA[adaptation]]></category>
		<category><![CDATA[angelina jolie]]></category>
		<category><![CDATA[assault on precinct 13]]></category>
		<category><![CDATA[blood simple]]></category>
		<category><![CDATA[box office prediction]]></category>
		<category><![CDATA[captain america]]></category>
		<category><![CDATA[coen brothers]]></category>
		<category><![CDATA[comic books]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[francois truffaut]]></category>
		<category><![CDATA[george clooney]]></category>
		<category><![CDATA[Joss Whedon]]></category>
		<category><![CDATA[justin adler]]></category>
		<category><![CDATA[marilyn monroe]]></category>
		<category><![CDATA[pixar]]></category>
		<category><![CDATA[road to perdition]]></category>
		<category><![CDATA[social network]]></category>
		<category><![CDATA[the escort]]></category>
		<category><![CDATA[Toy Story 3]]></category>
		<category><![CDATA[walter hill]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=12595</guid>

					<description><![CDATA[:: Joss Whedon discusses Captain America :: Facebook meddles with Social Network script :: In praise of Toy Story 3 (and Pixar as a whole) :: Francois Truffaut&#8217;s last interview :: Check the Box Office prediction model before you start :: Best comic book adaptation: Road to Perdition :: The Zombie version of Assault On ... <a title="Best o/t Web 22 Aug" class="read-more" href="https://www.thestorydepartment.com/screenwriting-best-ot-web-22-aug/" aria-label="Read more about Best o/t Web 22 Aug">Read more</a>]]></description>
										<content:encoded><![CDATA[<p>:: <a href="https://io9.com/5616422/joss-whedon-discusses-the-captain-america-script-plus-torchwood-takes-us-inside-the-new-world">Joss Whedon discusses </a><em><a href="https://io9.com/5616422/joss-whedon-discusses-the-captain-america-script-plus-torchwood-takes-us-inside-the-new-world">Captain America</a></em><br />
:: Facebook meddles with <em>Social Network</em> script<br />
:: <a href="https://www.guardian.co.uk/commentisfree/2010/aug/20/in-praise-of-toy-story">In praise of <em>Toy Story 3</em> (and Pixar as a whole)</a><br />
:: <a href="https://kottke.org/10/08/francois-truffauts-last-interview">Francois Truffaut&#8217;s last interview</a><br />
:: <a href="https://freakonomics.blogs.nytimes.com/2010/08/20/box-office-science/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+FreakonomicsBlog+(Freakonomics+Blog)&amp;utm_content=Google+Reader">Check the Box Office prediction model before you start</a><br />
:: <a href="https://latimesblogs.latimes.com/herocomplex/2010/08/road-to-perdition-the-best-comicbook-movie-without-capes-.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+The_Hero_Complex+(The+Hero+Complex)">Best comic book adaptation: <em>Road to Perdition</em></a><br />
:: <a href="https://io9.com/5618579/french-horror-flick-the-horde-is-like-assault-on-precinct-13-with-zombies">The Zombie version of <em>Assault On Precinct 13</em></a><br />
:: C<a href="https://www.guardian.co.uk/film/filmblog/2010/aug/20/chinese-remake-coen-blood-simple">hinese remake Coen&#8217;s </a><em><a href="https://www.guardian.co.uk/film/filmblog/2010/aug/20/chinese-remake-coen-blood-simple">Blood Simple</a></em><br />
:: Fighting leaks: Watermarking for script security.<br />
:: <a href="https://thedarksalon.blogspot.com/2010/08/elements-of-act-three-part-3-elevate.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+AlexandraSokoloff+%28Alexandra+Sokoloff%29" target="_blank">Act three and the art of the universal ending.<br />
</a>:: <a href="https://scriptshadow.blogspot.com/2010/08/escort.html" target="_blank">Justin Adler&#8217;s <em>The Escort</em> ranks impressive.<br />
</a>:: <a href="https://www.gointothestory.com/2010/08/how-they-write-script-walter-hill.html" target="_blank">Screenwriter Walter Hill on writing movies.<br />
</a>:: <a href="https://www.guardian.co.uk/film/2010/aug/16/angelina-jolie-george-clooney-marilyn-monroe" target="_blank">Angelina Jolie &amp; George Clooney set for Marilyn Monroe film.<br />
</a>:: <a href="https://www.gointothestory.com/2010/08/definitive-list-of-cliched-dialogue.html" target="_blank">The cliche conundrum, can you make it work?<br />
</a>:: <a href="https://scriptshadow.blogspot.com/2010/08/look-back-at-10-scripts-and-how-they.html" target="_blank">A look at 10 past scripts and their box office results.</a></p>
<p><span id="more-12595"></span> _______________________________</p>
<h4><span style="font-weight: normal;">COMING SOON to the Story Department:</span></h4>
<ul>
<li><em>Inception</em>: Act Three breakdown</li>
<li>MM on Sex in Screenwriting: Climax (&amp; Resolution)</li>
<li>Screenwriting Video of the week</li>
</ul>
<p>With thanks to Sol.</p>
<p>Enjoy!</p>
<p>Karel</p>
]]></content:encoded>
					
					<wfw:commentRss>https://www.thestorydepartment.com/screenwriting-best-ot-web-22-aug/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12595</post-id>	</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Page Caching using Disk: Enhanced 

Served from: www.thestorydepartment.com @ 2026-01-26 10:41:17 by W3 Total Cache
-->