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	<title>clarity &#8211; The Story Department</title>
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	<description>Story. Screenplay. Sale.</description>
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		<title>Best o/t Web 11 Apr 10</title>
		<link>https://www.thestorydepartment.com/best-ot-web-11-apr-10/</link>
					<comments>https://www.thestorydepartment.com/best-ot-web-11-apr-10/#respond</comments>
		
		<dc:creator><![CDATA[Solmaaz]]></dc:creator>
		<pubDate>Sat, 10 Apr 2010 16:38:51 +0000</pubDate>
				<category><![CDATA[Best of the Web]]></category>
		<category><![CDATA[a walk to remember]]></category>
		<category><![CDATA[chess dialogue]]></category>
		<category><![CDATA[clarity]]></category>
		<category><![CDATA[filmfellas]]></category>
		<category><![CDATA[final draft 8]]></category>
		<category><![CDATA[Kevin Shahinian]]></category>
		<category><![CDATA[nicholas sparks]]></category>
		<category><![CDATA[Patrick Moreau]]></category>
		<category><![CDATA[Ron Dawson]]></category>
		<category><![CDATA[spec script]]></category>
		<category><![CDATA[the notebook]]></category>
		<category><![CDATA[villain]]></category>
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					<description><![CDATA[:: Keep it clear, clarity in your script. :: First half, second act, all development. :: Considering evil: crafting your villain&#8217;s motivations. :: The climate of selling your spec script. :: The ins and outs of Final Draft 8. :: Filmfellas define themselves in terms of filmmaking. :: What a romance. Interview with Nicholas Sparks. :: Don&#8217;t confess, Chess. Character and ... <a title="Best o/t Web 11 Apr 10" class="read-more" href="https://www.thestorydepartment.com/best-ot-web-11-apr-10/" aria-label="Read more about Best o/t Web 11 Apr 10">Read more</a>]]></description>
										<content:encoded><![CDATA[<p>:: <a href="https://bambookillers.blogspot.com/2010/04/clarity.html" target="_blank">Keep it clear, clarity in your script.</a><br />
:: <a href="https://thedarksalon.blogspot.com/2010/04/plants-and-payoffs.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+AlexandraSokoloff+%28Alexandra+Sokoloff%29" target="_blank">First half, second act, all development.</a><br />
:: <a href="https://johnaugust.com/archives/2010/screenwriting-and-the-problem-of-evil" target="_blank">Considering evil: crafting your villain&#8217;s motivations.</a><br />
:: <a href="https://www.gointothestory.com/2010/04/thoughts-on-spec-script-sale.html" target="_blank">The climate of selling your spec script.<br />
</a>:: <a href="https://complicationsensue.blogspot.com/2010/04/final-draft-8.html" target="_blank">The ins and outs of Final Draft 8.<br />
</a>:: Filmfellas define themselves in terms of filmmaking.<br />
:: <a href="https://www.gointothestory.com/2010/04/written-interview-nicholas-sparks.html" target="_blank">What a romance. Interview with Nicholas Sparks.</a><br />
:: <a href="https://sex-in-a-sub.blogspot.com/2010/04/chess-moves.html" target="_blank">Don&#8217;t confess, Chess. Character and dialogue in suspense stories.</a><br />
:: <a href="https://johnaugust.com/archives/2010/whats-real-then-whats-funny" target="_blank">Avoid surface humor, making jokes with your character in mind.</a><br />
:: <a href="https://bambookillers.blogspot.com/2010/04/piece-of-advice-about-notes-for-first.html" target="_blank">Taking notes, keeping cool. Advice for a beginning screenwriter.</a></p>
<p><span id="more-9356"></span> _______________________________</p>
<h4><span style="font-weight: normal;">With thanks to Sol.</span></h4>
<p>Enjoy!</p>
<p>Karel</p>
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