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	<title>Haddock &#8211; The Story Department</title>
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	<title>Haddock &#8211; The Story Department</title>
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		<title>Thank you Spielberg! Today I&#8217;m proud to be a (half) Belgian.</title>
		<link>https://www.thestorydepartment.com/thank-you-spielberg-today-im-proud-to-be-a-half-belgian/</link>
					<comments>https://www.thestorydepartment.com/thank-you-spielberg-today-im-proud-to-be-a-half-belgian/#comments</comments>
		
		<dc:creator><![CDATA[Karel FG Segers]]></dc:creator>
		<pubDate>Tue, 20 Dec 2011 22:22:19 +0000</pubDate>
				<category><![CDATA[Story & Structure]]></category>
		<category><![CDATA[3D]]></category>
		<category><![CDATA[adaptation]]></category>
		<category><![CDATA[Haddock]]></category>
		<category><![CDATA[Hergé]]></category>
		<category><![CDATA[kuifje]]></category>
		<category><![CDATA[spielberg]]></category>
		<category><![CDATA[structure analysis]]></category>
		<category><![CDATA[tintin]]></category>
		<category><![CDATA[unicorn]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=20519</guid>

					<description><![CDATA[Thanks to Paramount Pictures, the Belgian ambassador in Australia and my friend Nathalie Surmont, I had the privilege of seeing Spielberg&#8217;s The Adventures of Tintin one day before its American release. Spielberg got me into movies &#8211; and he keeps exciting me. &#160; I was extremely skeptical&#8230; I don&#8217;t like 3D much, I didn&#8217;t like the ... <a title="Thank you Spielberg! Today I&#8217;m proud to be a (half) Belgian." class="read-more" href="https://www.thestorydepartment.com/thank-you-spielberg-today-im-proud-to-be-a-half-belgian/" aria-label="Read more about Thank you Spielberg! Today I&#8217;m proud to be a (half) Belgian.">Read more</a>]]></description>
										<content:encoded><![CDATA[<h4 style="text-align: left;">Thanks to Paramount Pictures, the Belgian ambassador in Australia and my friend Nathalie Surmont, I had the privilege of seeing Spielberg&#8217;s <em>The Adventures of Tintin</em> one day before its American release. Spielberg got me into movies &#8211; and he keeps exciting me.</h4>
<p>&nbsp;</p>
<hr />
<p style="text-align: left;">I was extremely skeptical&#8230; I don&#8217;t like 3D much, I didn&#8217;t like the visual style from the photos. But Spielberg has done this in the very best way possible and it works a treat.</p>
<p><img fetchpriority="high" decoding="async" class=" wp-image-20525 alignleft" style="margin: 11px;" title="1440_900_20111114100626303246" src="https://thestorydepartment.com/wp-content/uploads/2011/12/1440_900_20111114100626303246-600x375.jpg" alt="" width="288" height="180" /></p>
<h3>Visual Style</h3>
<p>From the fairly long opening credits (which has become rare, but it&#8217;s here for a reason), he slowly introduces us to this visual style via a 2D/3D world.</p>
<p>Then, the world of the movie opens and he rakes in all the fans with a great tribute to Hergé. The tone is set &#8211; and it&#8217;s fun, full of laughs and the best plot ever.</p>
<h3>Plot</h3>
<p>Of course we know most of this plot already but it doesn&#8217;t matter because he&#8217;s adapted it with so much verve and spectacle.</p>
<p style="text-align: left;">Structurally this is a flawless adaptation. With all the storylines of the books used in this film, it could have easily ended in a mess. Film structure is quite specific and so many adaptations from comic books and graphic novels have failed to excite a large audience lately. I loved the pace of the film so much I will probably post a structural analysis of it some time soon.</p>
<p><img decoding="async" class=" wp-image-20526 alignleft" style="margin: 11px;" title="the-adventures-of-tintin-8v" src="https://thestorydepartment.com/wp-content/uploads/2011/12/the-adventures-of-tintin-8v-600x375.jpg" alt="" width="288" height="180" /></p>
<h3 style="text-align: left;">Character</h3>
<p style="text-align: left;">What about character? Well&#8230; We all know Tintin doesn&#8217;t really have much to play with. He&#8217;s a blank canvas, so you can replace it with &#8230; you. The only dynamic character in the movie is Captain Haddock for his relation with the booze.</p>
<p style="text-align: left;">Hergé has never been into deep character. In his world there was plain good and bad. I don&#8217;t like this much, but for this film it doesn&#8217;t matter: it&#8217;s an adventure fantasy and it works on that level.</p>
<p>Oh &#8211; and Gromit: move over. Here&#8217;s Snowy! Instantly my favorite movie dog. Yes, he has creepy eyes but it&#8217;s the actions that matter, not the looks.</p>
<p>Thank you, Spielberg.</p>
<h4 style="text-align: right;"><em>&#8211; Karel Segers</em></h4>
<p><em><img decoding="async" class="size-medium wp-image-9756 alignleft" title="10102006223-corner" src="/wp-content/uploads/2010/04/10102006223-corner-300x280.jpg" alt="" width="240" height="224" /> Karel Segers is a producer and script consultant who started in movies as a rights buyer for Europe&#8217;s largest pay TV group Canal+. Back then it was handy to speak 5 languages. Less so today in Australia. Karel teaches, consults and lectures on screenwriting and the principles of storytelling to his 5-year old son Baxter and anyone who listens. He is also the boss of this blog.</em></p>
<p>&nbsp;</p>
<hr />
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Karel FG Segers' src='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/karel-segers/" class="vcard author" rel="author"><span class="fn">Karel FG Segers</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Karel Segers wrote <a href="https://www.youtube.com/watch?v=7PqQjgjo1wA"> his first produced screenplay</a> at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.</p>
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