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	<title>indiana jones &#8211; The Story Department</title>
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	<description>Story. Screenplay. Sale.</description>
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	<title>indiana jones &#8211; The Story Department</title>
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<site xmlns="com-wordpress:feed-additions:1">2808072</site>	<item>
		<title>Best o/t Web 26 Dec</title>
		<link>https://www.thestorydepartment.com/screenwriting-best-ot-web-26-dec-2/</link>
					<comments>https://www.thestorydepartment.com/screenwriting-best-ot-web-26-dec-2/#respond</comments>
		
		<dc:creator><![CDATA[Adrian Kok]]></dc:creator>
		<pubDate>Sat, 25 Dec 2010 15:56:14 +0000</pubDate>
				<category><![CDATA[Best of the Web]]></category>
		<category><![CDATA[adaptation]]></category>
		<category><![CDATA[bafta]]></category>
		<category><![CDATA[capra]]></category>
		<category><![CDATA[carson reeves]]></category>
		<category><![CDATA[harrison ford Aung San Suu Kyi]]></category>
		<category><![CDATA[indiana jones]]></category>
		<category><![CDATA[joseph campbell]]></category>
		<category><![CDATA[robert heinlein]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=15126</guid>

					<description><![CDATA[Story &#38; Structure :: BAFTA screenwriters lecture series :: Robert A. Heinlein biography :: Santa movies frozen out of festive season :: &#8220;It&#8217;s a Wonderful Life&#8221;: The most terrifying movie ever Script Perfection :: Screenwriting Tips: Generating ideas &#124; People under pressure &#124; Teenage protagonists :: My year in screenwriting :: Joseph Campbell quotes &#124; more quotes :: Writing adaptations for practice :: Carson&#8217;s top ... <a title="Best o/t Web 26 Dec" class="read-more" href="https://www.thestorydepartment.com/screenwriting-best-ot-web-26-dec-2/" aria-label="Read more about Best o/t Web 26 Dec">Read more</a>]]></description>
										<content:encoded><![CDATA[<div>
<div>
<div>
<div>
<h2>Story &amp; Structure</h2>
<p>:: <a href="https://www.bafta.org/access-all-areas/screenwriting/lectures/">BAFTA screenwriters lecture series<br />
</a>:: <a href="https://herocomplex.latimes.com/2010/12/20/review-robert-a-heinlein-biography-reveals-a-soul-saved-by-sci-fi/">Robert A. Heinlein biography<br />
</a>:: <a href="https://www.smh.com.au/entertainment/movies/santa-movies-frozen-out-of-festive-season-20101219-191wg.html">Santa movies frozen out of festive season</a><br />
:: <a href="https://www.salon.com/life/christmas/index.html?story=/ent/movies/film_salon/2010/12/24/its_wonderful_life_terrifying_movie_ever">&#8220;It&#8217;s a Wonderful Life&#8221;: The most terrifying movie ever</a></p>
<h2>Script Perfection</h2>
<p>:: Screenwriting Tips: <a href="https://screenwritingtips.tumblr.com/post/2368488159/screenwriting-tip-485">Generating ideas</a> | <a href="https://screenwritingtips.tumblr.com/post/2380133096/screenwriting-tip-486">People under pressure</a> | <a href="https://screenwritingtips.tumblr.com/post/2426838763/screenwriting-tip-489">Teenage protagonists</a><br />
:: My year in screenwriting<br />
:: <a href="https://www.gointothestory.com/2010/12/joseph-campbell-quotes-day-1.html">Joseph Campbell quotes</a> | <a href="https://www.gointothestory.com/2010/12/joseph-campbell-quotes-day-2.html">more quotes<br />
</a>:: <a href="https://aspiringtvwriter.blogspot.com/2010/12/writing-adaptations-for-practice.html">Writing adaptations for practice</a><br />
:: <a href="https://scriptshadow.blogspot.com/2010/12/carsons-top-10-scripts-of-year.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Scriptshadow+%28ScriptShadow%29">Carson&#8217;s top 10 scripts of the year<br />
</a></p>
<h2>Pitching &amp; Selling</h2>
<p>:: <a href="https://www.gointothestory.com/2010/12/producer-spotlight-paula-wagner.html">Producer spotlight: Paula Wagner<br />
</a>:: Writer gives agent discount coupon in lieu of commission</p>
<h2>Best of the Rest</h2>
<p>:: <a href="https://www.guardian.co.uk/film/2010/dec/23/what-we-want-hollywood-2011">What we want from Hollywood in 2011<br />
</a>:: <a href="https://io9.com/5715304/harrison-ford-wants-indiana-jones-to-die">Harrison Ford wants Indiana Jones to die<br />
</a>:: <a href="https://www.guardian.co.uk/world/2010/dec/19/aung-san-suu-kyi-the-lady">Aung San Suu Kyi coming to big screen</a></p>
<p><img decoding="async" title="More..." src="https://thestorydepartment.com/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" />_______________________________</p>
<p>With thanks to Adrian.</p>
<p>Enjoy!</p>
<p>Karel</p>
</div>
</div>
</div>
</div>
]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">15126</post-id>	</item>
		<item>
		<title>Video: Save The Cat</title>
		<link>https://www.thestorydepartment.com/video-save-the-cat/</link>
					<comments>https://www.thestorydepartment.com/video-save-the-cat/#respond</comments>
		
		<dc:creator><![CDATA[Karel FG Segers]]></dc:creator>
		<pubDate>Thu, 19 Aug 2010 11:49:23 +0000</pubDate>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[act one]]></category>
		<category><![CDATA[aladdin]]></category>
		<category><![CDATA[blake snyder]]></category>
		<category><![CDATA[heist]]></category>
		<category><![CDATA[indiana jones]]></category>
		<category><![CDATA[save the cat]]></category>
		<category><![CDATA[sea of love]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=12547</guid>

					<description><![CDATA[If you&#8217;ve heard of Blake Snyder but never read any of his books, you might wonder what that Save The Cat phrase really is about. Using four examples of STC moments, Steve White explains clearly and simply how to set up the hero&#8217;s core of redeemability. The four movies are: Aladdin, Sea Of Love, Heist and Raiders of the ... <a title="Video: Save The Cat" class="read-more" href="https://www.thestorydepartment.com/video-save-the-cat/" aria-label="Read more about Video: Save The Cat">Read more</a>]]></description>
										<content:encoded><![CDATA[<h3>If you&#8217;ve heard of <a href="https://thestorydepartment.com/blake-snyder-a-giant-shadow/">Blake Snyder</a> but never read <a href="https://thestorydepartment.com/reviewed-save-the-cat/">any of his books</a>, you might wonder what that <em>Save The Cat</em> phrase really is about. Using four examples of <em>STC</em> moments, Steve White explains clearly and simply how to set up the hero&#8217;s core of redeemability.</h3>
<p>The four movies are: <em>Aladdin, Sea Of Love, Heist</em> and <em>Raiders of the Lost Ark. </em></p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="613" height="385" codebase="https://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="https://www.youtube.com/v/4MRY6BP0EpE?fs=1&amp;hl=en_US" /><param name="allowfullscreen" value="true" /></object><br />
<span id="more-12547"></span></p>
<p style="text-align: center;">_____________________________________</p>
<h2 style="text-align: center;"><em>Check out this video link&#8230;</em></h2>
<p style="text-align: center;">_____________________________________</p>
<p>For <a href="https://thestorydepartment.com/category/video/">more videos about screenwriting or filmmaking</a>, look in the sidebar or click on the category link under the title of this post.</p>
<p>If you know of a great video on Screenwriting, let me know!</p>
<p>Just complete the form below and send me the link.</p>
<p>Thank you!</p>
<p>Karel</p>
[contact-form]
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Karel FG Segers' src='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/karel-segers/" class="vcard author" rel="author"><span class="fn">Karel FG Segers</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Karel Segers wrote <a href="https://www.youtube.com/watch?v=7PqQjgjo1wA"> his first produced screenplay</a> at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.</p>
<p>Subscribe to our <a href="https://www.youtube.com/c/TheStoryDepartment">YouTube Channel</a>!</p>
</div></div><div class="clearfix"></div><div class="saboxplugin-socials "><a title="Facebook" target="_blank" href="https://www.facebook.com/karel.segers" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-facebook" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 264 512"><path fill="currentColor" d="M76.7 512V283H0v-91h76.7v-71.7C76.7 42.4 124.3 0 193.8 0c33.3 0 61.9 2.5 70.2 3.6V85h-48.2c-37.8 0-45.1 18-45.1 44.3V192H256l-11.7 91h-73.6v229"></path></svg></span></a><a title="Linkedin" target="_blank" href="https://au.linkedin.com/in/karelsegers" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-linkedin" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M100.3 480H7.4V180.9h92.9V480zM53.8 140.1C24.1 140.1 0 115.5 0 85.8 0 56.1 24.1 32 53.8 32c29.7 0 53.8 24.1 53.8 53.8 0 29.7-24.1 54.3-53.8 54.3zM448 480h-92.7V334.4c0-34.7-.7-79.2-48.3-79.2-48.3 0-55.7 37.7-55.7 76.7V480h-92.8V180.9h89.1v40.8h1.3c12.4-23.5 42.7-48.3 87.9-48.3 94 0 111.3 61.9 111.3 142.3V480z"></path></svg></span></a><a title="Twitter" target="_blank" href="https://twitter.com/#!/ozzywood" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-twitter" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 30 30"><path d="M26.37,26l-8.795-12.822l0.015,0.012L25.52,4h-2.65l-6.46,7.48L11.28,4H4.33l8.211,11.971L12.54,15.97L3.88,26h2.65 l7.182-8.322L19.42,26H26.37z M10.23,6l12.34,18h-2.1L8.12,6H10.23z" /></svg></span></a><a title="Youtube" target="_blank" href="https://www.youtube.com/c/TheStoryDepartment" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-youtube" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 576 512"><path fill="currentColor" d="M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z"></path></svg></span></a></div></div></div>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">12547</post-id>	</item>
		<item>
		<title>Stop digging: Holy Grail found!</title>
		<link>https://www.thestorydepartment.com/stop-digging-holy-grail-found/</link>
					<comments>https://www.thestorydepartment.com/stop-digging-holy-grail-found/#respond</comments>
		
		<dc:creator><![CDATA[Karel FG Segers]]></dc:creator>
		<pubDate>Tue, 10 Mar 2009 03:25:09 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[george lucas]]></category>
		<category><![CDATA[indiana jones]]></category>
		<category><![CDATA[lawrence kasdan]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[NSC]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[steven spielberg]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[workshop]]></category>
		<category><![CDATA[workshops]]></category>
		<guid isPermaLink="false">/?p=1441</guid>

					<description><![CDATA[This may well be the best you will find on screenwriting this year. Thanks to Mystery Man &#38; crew, we have access to the minds of Lucas, Spielberg and Kasdan at the time they were putting together the story elements of Raiders of the Lost Ark. Not only will you find a link to the ... <a title="Stop digging: Holy Grail found!" class="read-more" href="https://www.thestorydepartment.com/stop-digging-holy-grail-found/" aria-label="Read more about Stop digging: Holy Grail found!">Read more</a>]]></description>
										<content:encoded><![CDATA[<h3><a href="https://mysterymanonfilm.blogspot.com/2009/03/raiders-story-conference.html" target="_blank"><span style="color: #000000;"><span style="font-weight: normal;">This</span></span></a><span style="font-weight: normal;"> may well be the best you will find on screenwriting this year. </span><span style="font-weight: normal;">Thanks to Mystery Man &amp; crew, we have access to the minds of Lucas, Spielberg and Kasdan at the time they were putting together the story elements of <em>Raiders of the Lost Ark</em>.</span></h3>
<p>Not only will you find <strong><a href="https://www.sendspace.com/file/cnoe3r" target="_blank">a link to the transcription of the story meeting</a></strong>, Mystery Man adds his own incisive insights and boils them down to 10 terrific points.</p>
<p>You can watch movies, read books and attend workshops but it hardly ever gets any better than <strong><a href="https://mysterymanonfilm.blogspot.com/2009/03/raiders-story-conference.html" target="_blank">this</a></strong>.</p>
<p>Never has there been a better time to be a learning screenwriter.</p>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Karel FG Segers' src='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/karel-segers/" class="vcard author" rel="author"><span class="fn">Karel FG Segers</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Karel Segers wrote <a href="https://www.youtube.com/watch?v=7PqQjgjo1wA"> his first produced screenplay</a> at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.</p>
<p>Subscribe to our <a href="https://www.youtube.com/c/TheStoryDepartment">YouTube Channel</a>!</p>
</div></div><div class="clearfix"></div><div class="saboxplugin-socials "><a title="Facebook" target="_blank" href="https://www.facebook.com/karel.segers" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-facebook" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 264 512"><path fill="currentColor" d="M76.7 512V283H0v-91h76.7v-71.7C76.7 42.4 124.3 0 193.8 0c33.3 0 61.9 2.5 70.2 3.6V85h-48.2c-37.8 0-45.1 18-45.1 44.3V192H256l-11.7 91h-73.6v229"></path></svg></span></a><a title="Linkedin" target="_blank" href="https://au.linkedin.com/in/karelsegers" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-linkedin" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M100.3 480H7.4V180.9h92.9V480zM53.8 140.1C24.1 140.1 0 115.5 0 85.8 0 56.1 24.1 32 53.8 32c29.7 0 53.8 24.1 53.8 53.8 0 29.7-24.1 54.3-53.8 54.3zM448 480h-92.7V334.4c0-34.7-.7-79.2-48.3-79.2-48.3 0-55.7 37.7-55.7 76.7V480h-92.8V180.9h89.1v40.8h1.3c12.4-23.5 42.7-48.3 87.9-48.3 94 0 111.3 61.9 111.3 142.3V480z"></path></svg></span></a><a title="Twitter" target="_blank" href="https://twitter.com/#!/ozzywood" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-twitter" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 30 30"><path d="M26.37,26l-8.795-12.822l0.015,0.012L25.52,4h-2.65l-6.46,7.48L11.28,4H4.33l8.211,11.971L12.54,15.97L3.88,26h2.65 l7.182-8.322L19.42,26H26.37z M10.23,6l12.34,18h-2.1L8.12,6H10.23z" /></svg></span></a><a title="Youtube" target="_blank" href="https://www.youtube.com/c/TheStoryDepartment" rel="nofollow noopener" class="saboxplugin-icon-grey"><svg aria-hidden="true" class="sab-youtube" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 576 512"><path fill="currentColor" d="M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z"></path></svg></span></a></div></div></div>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">1441</post-id>	</item>
		<item>
		<title>Structure: Raiders of the Lost Ark</title>
		<link>https://www.thestorydepartment.com/structure-raiders-of-the-lost-ark/</link>
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		<dc:creator><![CDATA[Karel FG Segers]]></dc:creator>
		<pubDate>Sun, 27 Jul 2008 13:17:18 +0000</pubDate>
				<category><![CDATA[Structure Analysis]]></category>
		<category><![CDATA[act one]]></category>
		<category><![CDATA[act three]]></category>
		<category><![CDATA[act two]]></category>
		<category><![CDATA[george lucas]]></category>
		<category><![CDATA[hero]]></category>
		<category><![CDATA[hero's journey]]></category>
		<category><![CDATA[indiana jones]]></category>
		<category><![CDATA[NSC]]></category>
		<category><![CDATA[philip kaufman]]></category>
		<category><![CDATA[pov]]></category>
		<category><![CDATA[rates]]></category>
		<category><![CDATA[sequence]]></category>
		<category><![CDATA[story]]></category>
		<category><![CDATA[synopsis]]></category>
		<guid isPermaLink="false">/?p=712</guid>

					<description><![CDATA[The first film of the Indiana Jones quadrilogy was created by Spielberg and Lucas, two of the greatest filmmakers of their generation, and offers a timeless piece of entertainment. This is a text book example of a Hero&#8217;s Journey, and an excellent starting point for screen story study. Did I mention it is also great ... <a title="Structure: Raiders of the Lost Ark" class="read-more" href="https://www.thestorydepartment.com/structure-raiders-of-the-lost-ark/" aria-label="Read more about Structure: Raiders of the Lost Ark">Read more</a>]]></description>
										<content:encoded><![CDATA[<h3><span style="font-weight: normal">The first film of the <em>Indiana Jones</em> quadrilogy was created by Spielberg and Lucas, two of the greatest filmmakers of their generation, and offers a timeless piece of entertainment. This is a text book example of a Hero&#8217;s Journey, and an excellent starting point for screen story study. </span></h3>
<p>Did I mention it is also great fun?</p>
<p>A structural overview of <em>Raiders of the Lost Ark</em> (L. Kasdan, Story by G. Lucas and P. Kaufman 1981)</p>
<h2>ACT ONE</h2>
<p>Sequence A</p>
<p>00.00  Jungle Explorers, being followed.<br />
04.00 Indiana Jones and Satipo enter the cave.<br />
05.00 They find Forestal impaled but continue.<br />
06.00 Indy avoids traps to take the little statue.<br />
08.00 They escape from the cave, Indy is betrayed by Satipo.<br />
09.30 Arriving outside, Indy is surrounded by Belloq and his men.<br />
10.00 Indy manages to escape Belloq, he runs towards the water.<br />
11.00 Indy boards the seaplane, in mid-air he finds the pilot&#8217;s snake.</p>
<p><img fetchpriority="high" decoding="async" width="450" height="303" class="alignnone size-medium wp-image-773" title="ij011" src="https://thestorydepartment.com/wp-content/uploads/2008/07/ij011.jpg" alt="" /></p>
<p>Sequence B</p>
<p>12.30 Indy teaches, the girls are adoring him. Marcus enters.<br />
15.00 Visitors tell the Nazis have found Tannis, are now onto the Ark.<br />
19.30 Marcus got Indy the job, he needs Abner, wonders about Marion.<br />
21.30 Indy boards a plane, but is followed (DI)<br />
22.30 Nepal: Marion in drinking contest. (POV)<br />
24.00 Marion: Abner&#8217;s dead. She will give Indy the bronze medallion.<br />
28.00 Nazis come in, claim what Indy wanted, threaten Marion. (POV)<br />
30.00 Indy comes to the rescue, fire. &#8220;I&#8217;m your goddamn partner.&#8221;</p>
<p><img decoding="async" width="450" height="302" class="alignnone size-medium wp-image-776" title="ij041" src="https://thestorydepartment.com/wp-content/uploads/2008/07/ij041.jpg" alt="" /></p>
<h2>ACT TWO A</h2>
<p>Sequence C</p>
<p>32.30&#8221; &#8216;Cairo, Sallah as ally, tells about Belloq who found the chamber.<br />
35.00&#8221; &#8216;Monkey runs off to the Nazis (DI)<br />
36.30&#8221; &#8216;They&#8217;re attacked, but Jones fights them off, Marion abducted.<br />
39.30&#8221; &#8216;Indy chases the basket, it goes on a truck, which explodes.<br />
40.30&#8221; &#8216;Indy mournes Marion; Belloq: &#8220;I&#8217;m a shadowy reflection of you.&#8221;<br />
44.00&#8221; &#8216;Indy saved by kids &amp; Sallah, followed by man w/ eye patch (DI).<br />
45.00&#8221; &#8216;Sallah saves Indy from poisoned dates: Nazis in the wrong place.</p>
<p>Sequence D</p>
<p>47.30 Nazis are impatient, tell Belloq they want results. (POV)<br />
48.00 Indy and Sallah approach the site.<br />
49.00 Indy descends into the chamber, light beam; Sallah taken away.<br />
53.00 Indy gets out, finds Marion but leaves her.<br />
54.00 Indy finds the place of the Ark.</p>
<p><img decoding="async" width="450" height="301" class="alignnone size-medium wp-image-775" title="ij031" src="https://thestorydepartment.com/wp-content/uploads/2008/07/ij031.jpg" alt="" /></p>
<h2>ACT TWO B</h2>
<p>Sequence E</p>
<p>54.30 Belloq and the Nazis (POV)<br />
55.00 Indy starts digging, a storm brews.<br />
58.00 Indy opens the cave, finds a snake pit.<br />
58.30 Belloq releases Marion, gives her a dress to wear //<br />
60.30 Indy descends, burns snakes // Marion drinks // Indy &amp; Sallah find Ark.</p>
<p>65.30 Marion is sober, takes knife, stopped by Nazis.<br />
66.00 Indy and Sallah carry the Ark, lift it out.</p>
<p>Sequence F</p>
<p>67.30 Belloq notices the digging, alerts all.<br />
68.00 Nazis take Ark out, throw Marion in and close the cave.<br />
70.00 Indy and Marion argue in the snake pit, finally break through a wall.<br />
72.30 They find an escape to the side.<br />
73.00 Indy climbs the monowing plane and fights a guard.<br />
75.00 Marion jumps in but Indy rescues her before it explodes.<br />
78.00 Indy hears the Ark is on a truck for Cairo. Makes it up as he goes.</p>
<h2>ACT THREE</h2>
<p>Sequence G</p>
<p><img decoding="async" width="450" height="301" class="alignnone size-medium wp-image-777" title="ij05" src="https://thestorydepartment.com/wp-content/uploads/2008/07/ij05.jpg" alt="" /></p>
<p>79.00 Indy on a horse, following the truck.<br />
81.00 Indy boards the truck, overpowers driver and takes over.<br />
85.00 Indy drives truck into town, it is hidden from the Nazis.<br />
86.00 They celebrate with Sallah before boarding the ship with Katanga.<br />
88.00 On the boat, Indy and Marion kiss.</p>
<p>Sequence H</p>
<p>90.00 Engines have stopped, German submarine enters.<br />
91.00 The Germans take the cargo and Marion.<br />
93.00 Jones climbs on board the submarine.<br />
94.00 Jones follows the Ark from the islan submarine base onto the island.<br />
96.30 After a standoff, Jones has to give in.<br />
100.0 Belloq initiates a ceremony that calls in the spirits who kill the Nazis.<br />
104.0 Indy and Marion are free, all Nazis have disappeared.</p>
<p>Sequence I</p>
<p>104.3 Washington DC: Indy is unhappy &#8220;Top Men are working on it.&#8221;<br />
105.3 Indy and Marion off to have a drink.<br />
106.0 Ark is stored as &#8220;Top Secret &#8211; Army Intel&#8221;</p>
<p>Full Synopsis:</p>
<p><strong>ACT I</strong></p>
<p>In the spring of 1936 an exploration party penetrates thick jungle on the South American continent. When the group&#8217;s leader stops to examine map fragments, another of the group pulls a gun. The leader, hearing the click as the turncoat chambers a round, pulls out a bullwhip and disarms the man, sending him fleeing back through the jungle. Thus does Dr. Henry &#8220;Indiana&#8221; Jones, Jr. (<a href="https://www.imdb.com/name/nm0000148/">Harrison Ford</a>) stay alive.</p>
<p>Indy and his remaining companion enter a dank and oppressively vast cave, where a competitor of his, Forrestal, disappeared. Inside the cave are several traps rigged by the ancient people who hid a small, valuable statue there &#8212; and one of the traps is found to have snared Forrestal. The two men find and retrieve the statue, but the cave is rigged to collapse when the statue is moved. Indy barely escapes the cave, while his companion betrays him and is killed trying to escape.</p>
<p>Seemingly safe, Indy is cornered by the Hovitos, the local tribe, who are led by Dr. Rene Belloq (<a href="https://www.imdb.com/name/nm0293550/">Paul Freeman</a>), an arrogant French archaeologist who is a longtime rival and enemy of Indy&#8217;s. Indy flees and is rescued by Jock (<a href="https://www.imdb.com/name/nm0814885/">Fred Sorenson</a>), flying a seaplane, though Indy isn&#8217;t pleased to find Jock&#8217;s pet snake Reggie inside.</p>
<p>Back stateside, Indy teaches an archeology class and is still upset over the loss of the statue, which he surmises Belloq is taking to Marrakesh; he has found pieces he feels will pay for a trip to Marrakesh to find Belloq, but Indy&#8217;s friend Marcus Brody (<a href="https://www.imdb.com/name/nm0001186/">Denholm Elliott</a>) dashes that hope by informing him that two Army Intelligence officers want to talk to him about Abner Ravenwood, his former teacher, who was his friend until Indy broke up with his daughter, Marion (<a href="https://www.imdb.com/name/nm0000261/">Karen Allen</a>).</p>
<p>The Army officers are concerned because they&#8217;ve intercepted a German cable concerning a mammoth archaeological dig in the Egyptian desert. When they read the cable, Indy and Marcus realize the Nazis have discovered Tanis, an ancient city buried in a gigantic sandstorm in 980 B.C. and the possible burial site of the Ark of the Covenant. The Ark was built by ancient Hebrews to hold the stone tablets on which Moses inscribed the Ten Commandments. It holds immense mystical power &#8212; enough to allow the Nazis to level mountains and lay waste to entire regions.</p>
<p>Indy flies to Nepal (followed by a Nazi agent, Toht (<a href="https://www.imdb.com/name/nm0479951/">Ronald Lacey</a>)) to confront Marion Ravenwood, who runs a restaurant and bar (and who can outdrink anyone) because he needs the headpiece to the Staff of Ra, whose crystals will allow him to determine the exact location of the Ark. Marion, still bitter over their breakup, nonetheless accepts when Indy offers her $3,000 and the promise of more when they return stateside. She is cryptic about the headpiece, and after Indy leaves she ponders it as she wears it around her neck.</p>
<p>Toht and several Sherpa heavies enter the bar and hold Marion hostage, with Toht ready to torture her for the headpiece. Indy returns and a firefight erupts during which the fireplace is dislodged and the building begins burning down. Toht finds the headpiece but when he grabs it he&#8217;s badly burned &#8212; leaving an image of one side of the headpiece branded on his hand. He escapes while Indy and Marion do likewise</p>
<p><strong>ACT IIa</strong></p>
<p>Indy and Marion fly to Egypt to see Indy&#8217;s pal, Sallah (<a href="https://www.imdb.com/name/nm0722636/">John Rhys-Davies</a>), who is working on the Nazi site and who reveals that the Nazis are aided by a French archaeologist (Belloq).</p>
<p>Later, while shopping at a Cairo bazaar, Indy and Marion are attacked by sword-wielding Arabs working for Nazi agents. Indy fights them off but in the confusion Marion is trapped in a large basket and taken by two of the terrorists. The effort to track her down is held up by a man brandishing a sword in intimidating fashion. The swordsman is shot down in short order by a thoroughly unimpressed Indy.</p>
<p>Soon Indy spots a basket carried to a truck filled with explosives and is fired on by a submachine-gun-wielding assailant. His Nazi commander orders the Arabs to take off, but Indy shoots them and the truck crashes, exploding and destroying the basket.</p>
<p>Disconsolate over losing Marion, Indy drowns his sorrows in drink but is met by more Nazi agents who escort him to a table at which is seated Belloq, who gleefully talks about finding the Ark. Indy, no longer caring whether he lives or dies, reaches for his sidearm as Arabs inside pull rifles &#8212; only to see Sallah&#8217;s large brood of children rush in and the &#8220;Arabs&#8221; to turn out to be US Marines, much to the embarassment of Belloq.</p>
<p>Sallah takes Indy to see a shaman who is reading the Ra headpiece after both men have learned that Belloq and his Wehrmacht aide, Colonel Dietrich (<a href="https://www.imdb.com/name/nm0434759/">Wolf Kahler</a>), have obtained a copy of the headpiece. (Neither man is aware that it is a duplicate traced from Toht&#8217;s burned hand.) The shaman reveals two critical facts: first, that the headpiece gives the precise height of the Staff of Ra, and second, that the staff the Nazis used was too long &#8212; so their excavation is over a mile away from the Ark&#8217;s actual burial site, which is known as the Well of Souls.</p>
<p>Infiltrating the mammoth site, Indy is lowered into an underground maproom containing a precisely detailed miniature of the city. Using the Ra headpiece, he identifies the precise location of the Well of Souls. Sneaking further around the gigantic camp, Indy is shocked to find Marion, alive but bound and gagged. Indy starts to free her, but when she reveals that the Nazis keep asking about him and what he knows, he realizes he can&#8217;t cut her loose without revealing his presence to the Nazis.</p>
<p>Late that afternoon Indy and Sallah sneak a digging party of their own to the actual location of the Well of Souls.</p>
<p><strong>ACT IIb</strong></p>
<p>Late into the night they dig open the chamber, and to Indy&#8217;s horror it is filled with dangerous snakes. Indy clears an area of snakes with burning torches, then lowers himself into the chamber and burns many of the snakes alive with flaming gasoline. Sallah follows and the two eventually find the gigantic chest that is the Ark.</p>
<p>By now it is dawn, and only now does Belloq notice the commotion a mile away. The Nazis surround the site and Indy is left trapped inside, but Dietrich leaves him with something else &#8212; Marion, who is thrown into the chamber and the area closed off.</p>
<p>Indy notices a wall where snakes are entering. He climbs a mammoth statue and with all his might breaks it from its foundation and it crashes through the wall. The two find an opening to the surface, and discover the airfield at the excavation camp, where there is a bizarre Nazi transport plane. The two sneak up to the plane, but Indy is attacked by a mechanic and a prolonged fight ensues that is joined by a burly Nazi who pummels Indy before being punched backward and shredded to bits by the plane&#8217;s propellers. Marion seizes one of the plane&#8217;s machine guns and opens fire on Nazi soldiers, in the process setting a fuel dump aflame. The fire destroys the area and the plane explodes, but Indy and Marion escape.</p>
<p>Dietrich orders his men to transport the Ark by truck to Cairo. When Sallah finds Indy and Marion, he is overjoyed they&#8217;re alive and tells them of Dietrich&#8217;s plan.</p>
<p><strong>ACT III</strong></p>
<p>Indy takes a horse and pursues the convoy, seizing the truck containing the Ark and surviving a brutal chase and fight with Nazi soldiers to drive the Ark to safety.</p>
<p>He and Marion board a ship taking the Ark back to the US, but a Nazi submarine captures the ship. The Ark is taken aboard the sub and Marion taken prisoner for Belloq. Indy, however, escapes Nazi pursuit and rides the submarine as it sails on the ocean surface to an island where Belloq and the Nazis trek to the top of a mountain.</p>
<p>Indy has grabbed a rocket launcher and intercepts Belloq, vowing to blow up the Ark unless Marion is freed. But Belloq calls Indy&#8217;s bluff, knowing Indy wants to know what the Ark contains as much as anyone. Indy finds he can&#8217;t carry out his threat, and is seized.</p>
<p>At an elaborate ceremony atop the mountain Indy and Marion, tied to a pole, can only watch as the Ark is opened, but it contains nothing but sand, the remains of the stone tablets. No sooner is it opened, however, than its spirits suddenly appear. Indy and Marion, remembering an ancient code that requires people to close their eyes and not look at the now-freed spirits, withstand the mayhem that ensues as the energy of the Ark surges forth and its spirits attack the now-terrified Nazis, killing the entire contingent and destroying Belloq in gruesome fashion. The energy mass surges high into the sky before returning to the Ark and resealing it, leaving Indy and Marion drained but freed.</p>
<p>Weeks later Indy and Marcus feud with the Army officers over the whereabouts of the Ark, Indy angry that the Army has no idea what it has in the Ark &#8212; though it appears they in fact do understand what they have, as the Ark is sealed in a large crate and stored anonymously in a gigantic government warehouse, never to be seen again.</p>
<p style="text-align: right"><em>Full synopsis courtesy of <strong><a href="https://www.imdb.com/title/tt0371746/synopsis" target="_blank" rel="noopener noreferrer">IMDb</a></strong>.</em></p>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Karel FG Segers' src='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/karel-segers/" class="vcard author" rel="author"><span class="fn">Karel FG Segers</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Karel Segers wrote <a href="https://www.youtube.com/watch?v=7PqQjgjo1wA"> his first produced screenplay</a> at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.</p>
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