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	<title>Nicholl Fellowship &#8211; The Story Department</title>
	<atom:link href="https://www.thestorydepartment.com/tag/nicholl-fellowship/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.thestorydepartment.com</link>
	<description>Story. Screenplay. Sale.</description>
	<lastBuildDate>Fri, 25 Oct 2013 23:22:42 +0000</lastBuildDate>
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	<title>Nicholl Fellowship &#8211; The Story Department</title>
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		<title>Best of the Web 27 Oct</title>
		<link>https://www.thestorydepartment.com/best-web-27-oct/</link>
					<comments>https://www.thestorydepartment.com/best-web-27-oct/#respond</comments>
		
		<dc:creator><![CDATA[Jamie Campbell]]></dc:creator>
		<pubDate>Sat, 26 Oct 2013 22:33:55 +0000</pubDate>
				<category><![CDATA[Best of the Web]]></category>
		<category><![CDATA[adventure time]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[american horror story]]></category>
		<category><![CDATA[dialogue]]></category>
		<category><![CDATA[netflix]]></category>
		<category><![CDATA[Nicholl Fellowship]]></category>
		<category><![CDATA[reservoir dogs]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=30392</guid>

					<description><![CDATA[Story &#38; Structure :: Screenplay Review &#8211; The Devil In The White City :: Screenplay Review &#8211; Fathers and Daughters :: Daily Dialogue &#8211; Reservoir Dogs :: Amateur Friday &#8211; Submerged Script Perfection :: 15 Pieces Of Writing Advice From The Writers Of &#8220;Adventure Time&#8221; :: Doug Richardson &#8211; What It Takes :: Video: How ... <a title="Best of the Web 27 Oct" class="read-more" href="https://www.thestorydepartment.com/best-web-27-oct/" aria-label="Read more about Best of the Web 27 Oct">Read more</a>]]></description>
										<content:encoded><![CDATA[<h2>Story &amp; Structure</h2>
<p>:: <a href="https://bit.ly/HfqetG">Screenplay Review &#8211; The Devil In The White City</a><br />
:: <a href="https://bit.ly/1bQmPuC">Screenplay Review &#8211; Fathers and Daughters</a><br />
:: <a href="https://bit.ly/18wSjGp">Daily Dialogue &#8211; Reservoir Dogs</a><br />
:: <a href="https://bit.ly/19RTj4b">Amateur Friday &#8211; Submerged</a></p>
<h2>Script Perfection</h2>
<p>:: <a href="https://bit.ly/16p2jxJ">15 Pieces Of Writing Advice From The Writers Of &#8220;Adventure Time&#8221;</a><br />
:: <a href="https://bit.ly/1icngRE">Doug Richardson &#8211; What It Takes</a><br />
:: <a href="https://bit.ly/19wOznZ">Video: How Great Screenwriters Prepare to Write</a><br />
:: <a href="https://bit.ly/1a1zebK">What You Need to Know to Make It as a Screenwriter</a><br />
:: <a href="https://bit.ly/1eOPrpV">Top 25 Accounts All Screenwriters Should Follow On Twitter</a></p>
<h2>Pitching &amp; Selling</h2>
<p>:: <a href="https://bit.ly/17aAcZ8">Billy Ray on How He Landed The Job of Writing Captain Phillips</a><br />
:: <a href="https://bit.ly/1fOBueO">Why Having Multiple Projects Is Killing You and Your Career</a><br />
:: <a href="https://bit.ly/19Xjere">Interview: Jeffrey Lieber: &#8220;How Did You Get an Agent?&#8221;</a><br />
:: <a href="https://bit.ly/1gCs72U">Netflix to Begin Ordering Movies</a></p>
<h2>Best of the Rest</h2>
<p>:: <a href="https://bit.ly/18ANJa9">Making Mistakes: Nine Hollywood Assistants Tell All</a><br />
:: <a href="https://bit.ly/1a9h9wH">Showrunner Rules by Jeff Lieber</a><br />
:: <a href="https://bit.ly/H77Oej">Winners Announced For Prestigious Academy Nicholl Fellowships</a><br />
:: <a href="https://bit.ly/1ich7Vr">TV Pilot – Halt And Catch Fire</a><br />
:: <a href="https://bit.ly/16rsetW">Interview: Seth Lochhead — Part 1</a><br />
:: <a href="https://vult.re/Hg26XK">American Horror Story Writer Q&#038;A: James Wong</a><br />
_______________________________</p>
<p>With thanks to Jamie Campbell.</p>
<p>Enjoy!</p>
<p>Karel</p>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Jamie Campbell' src='https://secure.gravatar.com/avatar/28ffdb9b85fb4120857e279896be72f2f3471c2b71b8503c62c9332acec351d1?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/28ffdb9b85fb4120857e279896be72f2f3471c2b71b8503c62c9332acec351d1?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/jamie-campbell/" class="vcard author" rel="author"><span class="fn">Jamie Campbell</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p><a href="https://www.amazon.com/gp/product/1490439390/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1490439390&amp;linkCode=as2&amp;tag=thestorydept-20"></a><a href="https://www.jamiecampbell.com.au/">Jamie Campbell</a> is an author, screenwriter, and television addict.</p>
<p>Jamie is proud to be an Editor for The Story Department.</p>
<p>Her latest series <a href="https://jamiecampbell.com.au/the-project-integrate-series/">Project Integrate</a> is out now.</p>
</div></div><div class="saboxplugin-web "><a href="https://jamiecampbell.com.au" target="_self" >jamiecampbell.com.au</a></div><div class="clearfix"></div></div></div>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">30392</post-id>	</item>
		<item>
		<title>Best o/t Web 22 Apr</title>
		<link>https://www.thestorydepartment.com/best-ot-web-22-apr/</link>
					<comments>https://www.thestorydepartment.com/best-ot-web-22-apr/#respond</comments>
		
		<dc:creator><![CDATA[Jamie Campbell]]></dc:creator>
		<pubDate>Sun, 22 Apr 2012 05:18:37 +0000</pubDate>
				<category><![CDATA[Best of the Web]]></category>
		<category><![CDATA[characters]]></category>
		<category><![CDATA[flashbacks]]></category>
		<category><![CDATA[flm festival]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[james cameron]]></category>
		<category><![CDATA[Joss Whedon]]></category>
		<category><![CDATA[Nicholl Fellowship]]></category>
		<category><![CDATA[titles]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=22652</guid>

					<description><![CDATA[Story &#38; Structure :: On Flashbacks :: Script Review: Saving Mr. Banks :: The Secret to a Great First 10 Pages :: Little Screen, Big Characters Script Perfection :: Screenwriting Tips: The Art of Titles :: How to Get the Most Out of a Script Evaluation :: Scene Description Spotlight: “Basic Instinct” Pitching &#38; Selling ... <a title="Best o/t Web 22 Apr" class="read-more" href="https://www.thestorydepartment.com/best-ot-web-22-apr/" aria-label="Read more about Best o/t Web 22 Apr">Read more</a>]]></description>
										<content:encoded><![CDATA[<div>
<h2>Story &amp; Structure</h2>
<p>:: <a href="https://t.co/0OCyYG7V">On Flashbacks</a><br />
:: <a href="https://t.co/iG8NEKfZ">Script Review: Saving Mr. Banks</a><br />
:: <a href="https://t.co/71bQ52BJ">The Secret to a Great First 10 Pages</a><br />
:: <a href="https://t.co/c5D7xmfc">Little Screen, Big Characters</a></p>
<h2>Script Perfection</h2>
<p>:: Screenwriting Tips: <a href="https://t.co/tuQesq3p">The Art of Titles</a><br />
:: <a href="https://t.co/OLS1sbEp">How to Get the Most Out of a Script Evaluation</a><br />
:: <a href="https://t.co/f6zYA7Sa">Scene Description Spotlight: “Basic Instinct”</a></p>
<h2>Pitching &amp; Selling</h2>
<p>:: <a href="https://t.co/zOL5qyne">Aspiring Screenwriter: Go Hollywood or Go Indie</a><br />
:: <a href="https://t.co/tW1DoTXw">How to Get Into a Film Festival &#8211; Advice from a Festival Director</a></p>
<h2>Best of the Rest</h2>
<p>:: <a href="https://t.co/uaKeJUAR">James Cameron Briefly Talks Terminator 5</a><br />
:: <a href="https://t.co/gJl2e0A0">Wanna Work in the Movie Industry? You MUST Read This</a><br />
:: <a href="https://t.co/TwjH6lMB">Joss Whedon: Hollywood&#8217;s Golden Boy</a><br />
:: <a href="https://t.co/ZtkSsvHc">Nicholl Applications: Around the World in Screenplays</a><br />
<img decoding="async" title="More..." src="https://thestorydepartment.com/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" />_______________________________</p>
<p>With thanks to Jamie C.</p>
<p>Enjoy!</p>
<p>Karel</p>
</div>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Jamie Campbell' src='https://secure.gravatar.com/avatar/28ffdb9b85fb4120857e279896be72f2f3471c2b71b8503c62c9332acec351d1?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/28ffdb9b85fb4120857e279896be72f2f3471c2b71b8503c62c9332acec351d1?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/jamie-campbell/" class="vcard author" rel="author"><span class="fn">Jamie Campbell</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p><a href="https://www.amazon.com/gp/product/1490439390/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1490439390&amp;linkCode=as2&amp;tag=thestorydept-20"></a><a href="https://www.jamiecampbell.com.au/">Jamie Campbell</a> is an author, screenwriter, and television addict.</p>
<p>Jamie is proud to be an Editor for The Story Department.</p>
<p>Her latest series <a href="https://jamiecampbell.com.au/the-project-integrate-series/">Project Integrate</a> is out now.</p>
</div></div><div class="saboxplugin-web "><a href="https://jamiecampbell.com.au" target="_self" >jamiecampbell.com.au</a></div><div class="clearfix"></div></div></div>]]></content:encoded>
					
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		<post-id xmlns="com-wordpress:feed-additions:1">22652</post-id>	</item>
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		<title>Screenwriting: from Fail to Sale (4/5)</title>
		<link>https://www.thestorydepartment.com/screenwriting-from-fail-to-sale-45/</link>
					<comments>https://www.thestorydepartment.com/screenwriting-from-fail-to-sale-45/#comments</comments>
		
		<dc:creator><![CDATA[Samuel Bartlett]]></dc:creator>
		<pubDate>Fri, 30 Mar 2012 02:42:18 +0000</pubDate>
				<category><![CDATA[Pitching & Selling]]></category>
		<category><![CDATA[full clip productions]]></category>
		<category><![CDATA[Lethal Weapon]]></category>
		<category><![CDATA[Nicholl Fellowship]]></category>
		<category><![CDATA[sam worthington]]></category>
		<category><![CDATA[screenwriting contests]]></category>
		<category><![CDATA[Shane Black]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=21994</guid>

					<description><![CDATA[There’s this notion among screenwriters that if a plot point doesn’t work, you can brush over it, I’ve done it a bunch of times, why? Because we see plot points in great films that just don’t work and we forgive them. By Samuel Bartlett The Law of Causation So why not forgive my little lack ... <a title="Screenwriting: from Fail to Sale (4/5)" class="read-more" href="https://www.thestorydepartment.com/screenwriting-from-fail-to-sale-45/" aria-label="Read more about Screenwriting: from Fail to Sale (4/5)">Read more</a>]]></description>
										<content:encoded><![CDATA[<h3>There’s this notion among screenwriters that if a plot point doesn’t work, you can brush over it, I’ve done it a bunch of times, why? Because we see plot points in great films that just don’t work and we forgive them.</h3>
<hr />
<p><em>By Samuel Bartlett</em></p>
<h2>The Law of Causation</h2>
<p>So why not forgive my little lack of logic at that last turn.</p>
<p><em>No. You really can’t do that. </em></p>
<p>That’s what re-writing and polishing is. You go through every little crease, really finely and iron out every single one of those bumps.</p>
<p>Everything has to make sense. Everything has to link, every scene has to feed into the next. Speaking about beats making sense, flowing into the next etc…</p>
<p>Here’s something I just learnt recently that is screenwriting gold…</p>
<p style="text-align: left;"><a title="Me and my South Park posse" href="https://www.flickr.com/photos/40792678@N00/73749872/" target="_blank"><img decoding="async" class="alignleft" style="border-style: initial; border-color: initial; border-width: 0px;" src="https://farm1.static.flickr.com/20/73749872_6785d96266_m.jpg" alt="Me and my South Park posse" width="240" height="77" border="0" /></a>Matt Stone and Trey Parker, the <em>South Park</em> creators figured that if they can take the beat sheet of your film script and put the words AND THEN between every beat, basically your script is fucked.</p>
<p>The words between the beats of a beat sheet of a great film should read THEREFORE or BECAUSE.</p>
<p>That first script I sold was a &#8216;found footage&#8217; film similar in style to <em>Blair Witch</em> and <em>Paranormal Activity</em>.</p>
<p>During the script selling process I had approached Full Clip Productions for script sale advice. I had a friend that worked there and he gave me some great inside advice from a producer’s POV.</p>
<blockquote><p>The words between the beats of a beat sheet of a great film<br />
should read THEREFORE or BECAUSE.</p></blockquote>
<p>After the sale went through, said friend approached me with an idea Sam Worthington had just pitched to him that they wanted to develop, the idea was of the found footage variety. He said they were looking for a writer for the concept, would I be interested?</p>
<h2>The Bottom Line</h2>
<p>I took the idea, no more than a logline, extrapolated that into a feature script and wrote my nuts off for the next month. Sent it to them, they dug it and as of last night I finished writing the third draft. (That I <em>really </em>should be working on instead of this…)</p>
<p>This same friend, let’s call him, Mike, I had sent another one of my scripts, <em>my baby, </em>I mentioned earlier.</p>
<p><a title="Circular Quay" href="https://www.flickr.com/photos/34094515@N00/6769313381/" target="_blank"><img decoding="async" class="alignright" style="border-style: initial; border-color: initial; border-width: 0px;" src="https://farm8.static.flickr.com/7143/6769313381_976cbea556_m.jpg" alt="Circular Quay" width="240" height="180" border="0" /></a>Then one afternoon he calls me and says he’s put that script in the hands of a manager that really digs it, he’s flying to Sydney for 48 hours to do a bunch of shit, but he wants to meet.</p>
<p>That meet went really well.</p>
<p>I’m not writing all this to bang my drum, I really haven’t done all that much yet, it’s this notion of ‘breaking in’ that I want to get back to.</p>
<p>It’s not about IN or OUT, it’s about the steps along the way, each leading into the next.</p>
<p>You can write <em>Lethal Weapon</em>, you can sell a script for $3million, but unless you’re constantly at it, <em>constantly working, </em>constantly writing, constantly reading scripts, watching films, you can slip back OUT again.</p>
<p>My advice in a nutshell is to learn the craft.</p>
<blockquote><p>It’s not about IN or OUT, it’s about the steps along the way,<br />
each leading into the next.</p></blockquote>
<p>When you’ve got a script that’s good, send it out to script comps.</p>
<p>When you place, solicit your script around town.</p>
<p>If you’re easily dissuaded by rejection, then quit.</p>
<p>Seriously. Give up. This ain&#8217;t for you.</p>
<p>When you do get that first foot through the door, when someone who counts does take notice of your work, make it work for you.</p>
<p>Dominos people, dominos.</p>
<p>Here’s a list of the script comps that agents and prod companies give a shit about in no particular order:</p>
<p><em>Austin Screenplay Comp. Nicholl Fellowship. Champion Screenplay Comp. Scriptapalooza. Pipeline. TrackingB (or Tracking Board). Final Draft Big Break Comp. Slam Dance. Page Awards. Expo Screen Comp</em>.</p>
<p>There are others, smaller ones, but these are the ones people take notice of.</p>
<p style="text-align: right;"><em>&#8211; Samuel Bartlett</em></p>
<p><a href="https://thestorydepartment.com/screenwriting-from-fail-to-sale/">Part 1 &#8211; The Beginnings</a><br />
<a href="https://thestorydepartment.com/screenwriting-from-fail-to-sale-25/">Part 2 &#8211; Cars and Cops</a><br />
<a href="https://thestorydepartment.com/screenwriting-from-fail-to-sale-35/">Part 3 &#8211; The Truth about Comps</a><br />
<a href="https://wp.me/pbMvu-5IN">Part 5 &#8211; Writing and Reading</a></p>
<p>Photo Credit:  <a title="The Man in Blue" href="https://www.flickr.com/photos/40792678@N00/73749872/" target="_blank">The Man in Blue</a> &#8211;  <a title="dicktay2000" href="https://www.flickr.com/photos/34094515@N00/6769313381/" target="_blank">dicktay2000</a></p>
<p>[divider]</p>
<p><a href="https://thestorydepartment.com/screenwriting-from-fail-to-sale-45/samuel-bartlett/" rel="attachment wp-att-22309"><img decoding="async" class="alignleft size-thumbnail wp-image-22309" title="Samuel Bartlett" src="https://thestorydepartment.com/wp-content/uploads/2019/03/Samuel-Bartlett-150x150.jpg" alt="" width="150" height="150" /></a></p>
<p>Samuel Bartlett is an award winning screen writer and film maker with two feature films currently in development with Los Angeles based production companies.</p>
<p>He shot his first award winning feature film in 2011 and has another short film ready for the festival circuit. He divides his time between Sydney, London and LA.</p>
<hr />
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Samuel Bartlett' src='https://secure.gravatar.com/avatar/75ce16791481262ef72dc9ebde38c4887b6475e6fe341cf519ca2f60045bebf7?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/75ce16791481262ef72dc9ebde38c4887b6475e6fe341cf519ca2f60045bebf7?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/samuel-bartlett/" class="vcard author" rel="author"><span class="fn">Samuel Bartlett</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Samuel Bartlett is an award winning screen writer and film maker with two feature films currently in development with Los Angeles based production companies. He shot his first award winning feature film in 2011 and has another short film ready for the festival circuit. He divides his time between Sydney, London and LA. Samuel also regularly <a href="https://deconstructthescript.blogspot.com.au">deconstructs unproduced scripts here</a>.</p>
</div></div><div class="saboxplugin-web "><a href="https://deconstructthescript.blogspot.com.au/" target="_self" >deconstructthescript.blogspot.com.au/</a></div><div class="clearfix"></div></div></div>]]></content:encoded>
					
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