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	Comments on: Unity of Action	</title>
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	<description>Story. Screenplay. Sale.</description>
	<lastBuildDate>Wed, 09 Jan 2013 15:56:00 +0000</lastBuildDate>
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	<item>
		<title>
		By: joe velikovsky		</title>
		<link>https://www.thestorydepartment.com/unity-of-action/#comment-1089</link>

		<dc:creator><![CDATA[joe velikovsky]]></dc:creator>
		<pubDate>Wed, 09 Jan 2013 15:56:00 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=19877#comment-1089</guid>

					<description><![CDATA[Nice post Nir :)

I felt the same way about The Dark Knight Rises.

There is enough plot - and compelling drama/intrigue - going on - that we don&#039;t need to get `caught up with details&#039; that may be illogical.

For example, I never once had an issue with any of these 73 things. 
https://graphicpolicy.com/2012/12/30/everything-wrong-with-the-dark-knight-rises-in-3-minutes-or-less/
(And still don&#039;t when I watch the film over). 

My reasons for feeling that way, I guess:

    1) When I consider how `Batman&#039; - as a character - had been
    portrayed, up to / before Nolan did it... (ie, previously:
    completely, tongue in cheek - and/or treating him as comic-book
    guy... and yes - Nolan&#039;s is still comic book - but: closest yet, to
    &quot;reality&quot; if comic-book life / `the DC world&#039; was real... just IMHO)...

    

    2) GENIUS casting in all 3 Batman movies... 
ie - Bale, Ledger,
    Hardy, etc etc etc

    

    3) Stunning action - I&#039;ve never seen a `plane action sequence&#039; like
    in the 3rd movie... (and - all the other action sequences too...)

    

    4) Great (clever) twists; i didn&#039;t see `the twists&#039; coming - like, with who
    `the kid who climbed the well&#039; was...!

    

    5) I LOVED all the social commentary subtext: The whole `Occupy&#039;
    thing, the mock-trials of the &quot;Eat The Rich&quot; Gotham rebellion,  -- It really `nailed&#039; the current Zeitgeist - in a way that no other
    big Hollywood movie would (apparently?) ever dare...? 

    (Or: Am I wrong? - I cant think of a more `Anti-Corporate&#039; (and
    `Anti-Capitalist&#039;) and actually downright Marxist film, well, apart
    from Speed... or maybe Avatar) i.e. So much (political) subtext...
and anyway: 
6) Who else could actually make `Robin&#039;: a cool character? 
(i think,
    that is an almost impossible task...)

Anyway, nice post Nir!

Cheers

JT Velikovsky
High ROI Film/Story/Screenplay Consultant
https://storyality.wordpress.com]]></description>
			<content:encoded><![CDATA[<p>Nice post Nir :)</p>
<p>I felt the same way about The Dark Knight Rises.</p>
<p>There is enough plot &#8211; and compelling drama/intrigue &#8211; going on &#8211; that we don&#8217;t need to get `caught up with details&#8217; that may be illogical.</p>
<p>For example, I never once had an issue with any of these 73 things.<br />
<a href="https://graphicpolicy.com/2012/12/30/everything-wrong-with-the-dark-knight-rises-in-3-minutes-or-less/" rel="nofollow ugc">https://graphicpolicy.com/2012/12/30/everything-wrong-with-the-dark-knight-rises-in-3-minutes-or-less/</a><br />
(And still don&#8217;t when I watch the film over). </p>
<p>My reasons for feeling that way, I guess:</p>
<p>    1) When I consider how `Batman&#8217; &#8211; as a character &#8211; had been<br />
    portrayed, up to / before Nolan did it&#8230; (ie, previously:<br />
    completely, tongue in cheek &#8211; and/or treating him as comic-book<br />
    guy&#8230; and yes &#8211; Nolan&#8217;s is still comic book &#8211; but: closest yet, to<br />
    &#8220;reality&#8221; if comic-book life / `the DC world&#8217; was real&#8230; just IMHO)&#8230;</p>
<p>    2) GENIUS casting in all 3 Batman movies&#8230;<br />
ie &#8211; Bale, Ledger,<br />
    Hardy, etc etc etc</p>
<p>    3) Stunning action &#8211; I&#8217;ve never seen a `plane action sequence&#8217; like<br />
    in the 3rd movie&#8230; (and &#8211; all the other action sequences too&#8230;)</p>
<p>    4) Great (clever) twists; i didn&#8217;t see `the twists&#8217; coming &#8211; like, with who<br />
    `the kid who climbed the well&#8217; was&#8230;!</p>
<p>    5) I LOVED all the social commentary subtext: The whole `Occupy&#8217;<br />
    thing, the mock-trials of the &#8220;Eat The Rich&#8221; Gotham rebellion,  &#8212; It really `nailed&#8217; the current Zeitgeist &#8211; in a way that no other<br />
    big Hollywood movie would (apparently?) ever dare&#8230;? </p>
<p>    (Or: Am I wrong? &#8211; I cant think of a more `Anti-Corporate&#8217; (and<br />
    `Anti-Capitalist&#8217;) and actually downright Marxist film, well, apart<br />
    from Speed&#8230; or maybe Avatar) i.e. So much (political) subtext&#8230;<br />
and anyway:<br />
6) Who else could actually make `Robin&#8217;: a cool character?<br />
(i think,<br />
    that is an almost impossible task&#8230;)</p>
<p>Anyway, nice post Nir!</p>
<p>Cheers</p>
<p>JT Velikovsky<br />
High ROI Film/Story/Screenplay Consultant<br />
<a href="https://storyality.wordpress.com" rel="nofollow ugc">https://storyality.wordpress.com</a></p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Bernard		</title>
		<link>https://www.thestorydepartment.com/unity-of-action/#comment-1088</link>

		<dc:creator><![CDATA[Bernard]]></dc:creator>
		<pubDate>Wed, 16 Nov 2011 03:57:21 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=19877#comment-1088</guid>

					<description><![CDATA[Brother and Sister? WHAT!?!
It&#039;s true, what is important to show and drive the reader or viewer is the challenge and the characters over coming them. Too much detail in unimportant actions slow down the story. Such as showing people getting into a vehicle, grabbing items out of pockets... We don&#039;t have to show every single action as the audience should be in tune enough to connect the moments that we want to show..... Oh, and storm troopers are dumb, they&#039;ll never think of shooting before the door opens.]]></description>
			<content:encoded><![CDATA[<p>Brother and Sister? WHAT!?!<br />
It&#8217;s true, what is important to show and drive the reader or viewer is the challenge and the characters over coming them. Too much detail in unimportant actions slow down the story. Such as showing people getting into a vehicle, grabbing items out of pockets&#8230; We don&#8217;t have to show every single action as the audience should be in tune enough to connect the moments that we want to show&#8230;.. Oh, and storm troopers are dumb, they&#8217;ll never think of shooting before the door opens.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Zena Shapter		</title>
		<link>https://www.thestorydepartment.com/unity-of-action/#comment-1087</link>

		<dc:creator><![CDATA[Zena Shapter]]></dc:creator>
		<pubDate>Wed, 09 Nov 2011 02:22:58 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=19877#comment-1087</guid>

					<description><![CDATA[And he wasn&#039;t even wearing gloves!

Great post :)]]></description>
			<content:encoded><![CDATA[<p>And he wasn&#8217;t even wearing gloves!</p>
<p>Great post :)</p>
]]></content:encoded>
		
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