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	<title>
	Comments on: Writing the High ROI Screenplay (Part 7)	</title>
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	<description>Story. Screenplay. Sale.</description>
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		<title>
		By: StoryAlity #99 &#8211; 12 x guest blog posts on StoryAlity Theory @ The Story Dept &#124; StoryAlity		</title>
		<link>https://www.thestorydepartment.com/writing-the-high-roi-screenplay-part-7/#comment-15295</link>

		<dc:creator><![CDATA[StoryAlity #99 &#8211; 12 x guest blog posts on StoryAlity Theory @ The Story Dept &#124; StoryAlity]]></dc:creator>
		<pubDate>Sun, 22 Dec 2013 03:38:49 +0000</pubDate>
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					<description><![CDATA[[&#8230;] Writing the High-RoI Film &#8211; Part 7 - @ The Story Dept [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Writing the High-RoI Film &#8211; Part 7 &#8211; @ The Story Dept [&#8230;]</p>
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		<title>
		By: JT Velikovsky		</title>
		<link>https://www.thestorydepartment.com/writing-the-high-roi-screenplay-part-7/#comment-15286</link>

		<dc:creator><![CDATA[JT Velikovsky]]></dc:creator>
		<pubDate>Sun, 22 Dec 2013 03:22:36 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=29791#comment-15286</guid>

					<description><![CDATA[Many thanks, Night Fox Entertainment - 

I think what surprised me most, was that - nobody had ever done a doctoral research study (ie - with a consilient research methodology, etc), specifically on the Top 20 RoI films, before this study was done in 2012. 

ie - The only other prior academic studies, specifically on `Film Story, and How It Affects RoI&#039; are: 2 papers by the Wharton School of Marketing (2007 and 2010) - but, they are also problematic, for various reasons... 
(ie - for details of those 2 x academic Wharton School studies, see: https://storyality.wordpress.com/2012/12/21/storyality-39-the-storyality-movie-story-study-methodology/)

Although - (the legendary) Professor DK Simonton looked at over 200 prior scientific studies of film success, in his research-survey/study/book `Great Flicks: Scientific Studies of Cinematic Creativity and Aesthetics&#039; (2011) - which is an amazing book, but, mainly looks at critical/awards success, rather than: film virality. 

One thing DK notes there is that prior researchers all tend to use different research methods, (and also - look at different things in their studies) so, currently there&#039;s not yet a `solid body of evidence&#039; that can be compared/correlated (on: film creativity, and film success).

- At any rate, a lot of new info now comes to light, in this study so at least, that&#039;s something... 
- Hopefully, other academic researchers can also build on it (both Simonton&#039;s work and this study), and - at the end of the day, hopefully it&#039;s helpful, to screenwriters and filmmakers everywhere... (ie - given the real-world problems that: `7 in 10 films lose money&#039; (Vogel 2011), and, that 98% of screenplays go unmade (Macdonald 2004), etc...)

It&#039;s certainly a fascinating area...

Cheers,
JT]]></description>
			<content:encoded><![CDATA[<p>Many thanks, Night Fox Entertainment &#8211; </p>
<p>I think what surprised me most, was that &#8211; nobody had ever done a doctoral research study (ie &#8211; with a consilient research methodology, etc), specifically on the Top 20 RoI films, before this study was done in 2012. </p>
<p>ie &#8211; The only other prior academic studies, specifically on `Film Story, and How It Affects RoI&#8217; are: 2 papers by the Wharton School of Marketing (2007 and 2010) &#8211; but, they are also problematic, for various reasons&#8230;<br />
(ie &#8211; for details of those 2 x academic Wharton School studies, see: <a href="https://storyality.wordpress.com/2012/12/21/storyality-39-the-storyality-movie-story-study-methodology/" rel="nofollow ugc">https://storyality.wordpress.com/2012/12/21/storyality-39-the-storyality-movie-story-study-methodology/</a>)</p>
<p>Although &#8211; (the legendary) Professor DK Simonton looked at over 200 prior scientific studies of film success, in his research-survey/study/book `Great Flicks: Scientific Studies of Cinematic Creativity and Aesthetics&#8217; (2011) &#8211; which is an amazing book, but, mainly looks at critical/awards success, rather than: film virality. </p>
<p>One thing DK notes there is that prior researchers all tend to use different research methods, (and also &#8211; look at different things in their studies) so, currently there&#8217;s not yet a `solid body of evidence&#8217; that can be compared/correlated (on: film creativity, and film success).</p>
<p>&#8211; At any rate, a lot of new info now comes to light, in this study so at least, that&#8217;s something&#8230;<br />
&#8211; Hopefully, other academic researchers can also build on it (both Simonton&#8217;s work and this study), and &#8211; at the end of the day, hopefully it&#8217;s helpful, to screenwriters and filmmakers everywhere&#8230; (ie &#8211; given the real-world problems that: `7 in 10 films lose money&#8217; (Vogel 2011), and, that 98% of screenplays go unmade (Macdonald 2004), etc&#8230;)</p>
<p>It&#8217;s certainly a fascinating area&#8230;</p>
<p>Cheers,<br />
JT</p>
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		<item>
		<title>
		By: Night Fox Entertainment		</title>
		<link>https://www.thestorydepartment.com/writing-the-high-roi-screenplay-part-7/#comment-4940</link>

		<dc:creator><![CDATA[Night Fox Entertainment]]></dc:creator>
		<pubDate>Tue, 06 Aug 2013 09:52:53 +0000</pubDate>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=29791#comment-4940</guid>

					<description><![CDATA[The movie business always is sustaining a lot of reflection with regard to this.]]></description>
			<content:encoded><![CDATA[<p>The movie business always is sustaining a lot of reflection with regard to this.</p>
]]></content:encoded>
		
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