by Steve Kaire

When you get the notes back, you are devastated. The comments you get are scathing. They inform you that your plot is weak, your characters aren’t developed fully enough, and your structure is lacking.

The first thing you need to remember is that your script is always a work in progress. And as painful as it may seem, many of the notes you will receive will really improve your material. More times than not, writers will send out their material prematurely even when they know in their heart of hearts that their script is not ready to be shown. They’ve written the script so many times that they’ll say to themselves that it has to be ready by now even though it really isn’t.

Many of the notes you will receive will really improve your material.

I had a writing friend who I would submit my work to for feedback. He would always be consistently negative about my material. I came to expect that he wouldn’t like whatever I gave him to look over no matter how well it was written. But despite his overall negativity, he would be right about one or two elements regarding my scripts. And fixing those specific things that needed improvement was worth it even though I had to listen to a lot of other overly critical comments.

The bottom line in receiving criticism is to try as best you can to separate yourself from your ego. Decide what suggestions about your material to accept and incorporate into your writing that will actually make it better. Also decide about what comments you get back that you honestly disagree with and just disregard them as being off base.

Most of all, understand that receiving criticism and rejection is a normal part of any creative endeavor whether it be writing, art or music.

– Steve Kaire

Steve Kaire is a Screenwriter/Pitchman who’s sold 8 projects to the major studios without representation. The last project he sold, he’s Co-Producing for Walden Media. A screenwriter for over 30 years, he holds a Masters in Dramatic Writing and has taught writing classes at the American Film Institute.

Steve was featured on the Tonight Show’s, “Pitching to America” and was voted a Star Speaker at Screenwriters Expo three years in a row. His top rated CD, “High Concept – How to Create, Pitch & Sell to Hollywood” is a best seller. You can find his website here.

Jamie Campbell

Jamie Campbell is an author, screenwriter, and television addict.

Jamie is proud to be an Editor for The Story Department.

Her latest series Project Integrate is out now.

jamiecampbell.com.au

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_______________________________

With thanks to Jamie Campbell.

Enjoy!

Karel

Jamie Campbell

Jamie Campbell is an author, screenwriter, and television addict.

Jamie is proud to be an Editor for The Story Department.

Her latest series Project Integrate is out now.

jamiecampbell.com.au

This is what I’m getting myself into. I spotted this constructive feedback on a music video I wrote and directed last month. Having given this a fair amount of thought, I still haven’t quite figured out what the person who posted this was thinking when they wrote it.

by Ben Cox

“Probably the gayest clip ever made.” Really? The gayest ever? I dunno, perhaps it was meant as a compliment? I mean, the gayest clip ever would be a hell of an achievement. I just wish they hadn’t prefixed it with probably, keeping me in a perpetual cloud of doubt. What do they even mean by “gayest”? I’m so confused, annoyed and hurt.

Ok, that’s not true. I did give this some thought but not because it bothered me. I gave it thought because my reaction was to smile, and I began thinking about how I came to a place where it became such a positive relationship in my life. I think criticism is an essential part of writing, not just because of what can be gained from it, but also because it’s so unavoidable.

criticism is an essential part of writing,
not just because of what can be gained from it,
but also because it’s so unavoidable

You see, my relationship with criticism is an important one, not just with YouTube hate mongers or bloggers, critics or reviewers. It’s also a huge part of being a writer. Meeting with script editors, producers, directors are a part of everyday life, and they all have an opinion. Actually, everyone has an opinion don’t they? Just about every friend or family member with a suggestion on how they would have done it. It’s something that’s unique to writers I think because you’re essentially trading in ideas, and everyone has ideas.

I’m currently a freelance writer/director with 7 short films and 4 music videos in my credits. I specialize in ‘outside the box’ thinking and have yet to meet an idea I didn’t think I could turn into something entertaining. Despite this I’m quite sensitive by nature, so criticism has never been easy for me to deal with. It mixes interestingly with my hypercompetitive nature as well.

It’s easy to take criticism personally. To sulk and dwell on it no matter how many people also tell you they really like something you’ve created. We’ve all been there, and yet so many of us spend our time worrying about the negative feedback whilst brushing off the positive. The whole process can be debilitating. So why do I like it so much? My personality type certainly shouldn’t lead to me being good with criticism, and years of coping with it very badly as a teenager don’t suggest I should enjoy it.

So many of us spend our time worrying about the negative feedback
whilst brushing off the positive

However.

Although criticism can be crippling, it can also be liberating. When I’m sat in front of a notepad or laptop and debating whether I should write that thing which might really annoy/upset someone or their friend might think it’s rubbish, why am I doing that to myself? I have no control over how other people choose to consume something I did, so why worry about it? It’s the same as when I’m on a plane, why worry if something might go wrong? It’s out of my hands. That’s such a great feeling to have. As a writer I spend so much of my life trying to control things, my characters, my plot, my turning point two, that it’s nice to know there are things I can’t control, and don’t have to, so I don’t try to.

If you’re no longer worried about the response from your audience,
what you’re left with is whatever your imagination can come up with

Freedom from criticism is also freedom from expectation. If you’re no longer worried about the response from your audience, what you’re left with is whatever your imagination can come up with. That’s about as exciting a place as you can hope to be in. For me, this is what allows me to write from the heart about whatever I want to.

And as for that comment. It’s quite funny in an ironic way isn’t it?

You can decide for yourself here:

– Ben

After gaining his B.A in English Literature at Loughborough University, Ben Cox spent 4 years as a musician, playing bass in the band Kyte, touring internationally and releasing a top 5 selling album in Japan.

He left the group to pursue a career as a director and writer.

Since graduating from the International Film School Sydney in 2012, he has written and directed three music videos.

Photo Credits: Ben Cox