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	<title>stieg Larsson &#8211; The Story Department</title>
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	<link>https://www.thestorydepartment.com</link>
	<description>Story. Screenplay. Sale.</description>
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	<title>stieg Larsson &#8211; The Story Department</title>
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		<title>Bad Hombres, Good Homages And Effective Character Intros</title>
		<link>https://www.thestorydepartment.com/bad-hombres-and-good-homages/</link>
					<comments>https://www.thestorydepartment.com/bad-hombres-and-good-homages/#respond</comments>
		
		<dc:creator><![CDATA[Karel FG Segers]]></dc:creator>
		<pubDate>Sun, 25 Nov 2018 07:41:09 +0000</pubDate>
				<category><![CDATA[Script Perfection]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[stieg Larsson]]></category>
		<category><![CDATA[william goldman]]></category>
		<guid isPermaLink="false">https://thestorydepartment.com/?p=234793</guid>

					<description><![CDATA[In this video, we look at a few film homages, and what may qualify as a good one. In FRANCES HA, Noah Baumbach paid homage to director Leos Carax, from his film MAUVAIS SANG. I recently returned from a trip to Sweden, and finally watched the 3 original &#8220;Girl&#8221; films. You know, the feature films ... <a title="Bad Hombres, Good Homages And Effective Character Intros" class="read-more" href="https://www.thestorydepartment.com/bad-hombres-and-good-homages/" aria-label="Read more about Bad Hombres, Good Homages And Effective Character Intros">Read more</a>]]></description>
										<content:encoded><![CDATA[
<p>In this video, we look at a few film homages, and what may qualify as a good one.</p>
<p>

</p>
<p>In FRANCES HA, Noah Baumbach paid homage to director Leos Carax, from his film MAUVAIS SANG.</p>
<p><iframe title="RED DEAD REDEMPTION 2: Bad Hombres And Good Homages + 2 Effective Character Intros" width="720" height="405" src="https://www.youtube.com/embed/qtb8De2LsS8?feature=oembed" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<p><span id="more-234793"></span></p>



<p>I recently returned from a trip to Sweden, and finally watched the 3 original &#8220;Girl&#8221; films. You know, the feature films in the Millennium Trilogy, based on the books by Stieg Larsson. </p>
<p>We look at the introduction of main character Lisbeth Salander. Interestingly, Steven Zaillian removed some of the tension in his English-speaking adaptation. Adaptations are not always effective homages to the original work, and here he certainly reduces the emotional impact.</p>







<p>Finally, I show one of my favourite homages: a clip from RED DEAD REDEMPTION 2. To compare, we watch the original sequence in <a href="https://www.thestorydepartment.com/dual-protagonists/"><em>Butch Cassidy And The Sundance Kid</em></a> that was quoted in the game.</p>



<p>Enjoy!</p>



<p>This is a Facebook preview of a video that will soon be posted to <a href="https://www.youtube.com/c/TheStoryDepartment">my YouTube channel.</a> </p>
<p>Have you subscribed yet?</p>
<p><img fetchpriority="high" decoding="async" class="alignnone wp-image-234798 size-large" src="https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr-1024x576.jpg" alt="homages in red dead redemption" width="1024" height="576" srcset="https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr.jpg 1024w, https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr-150x84.jpg 150w, https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr-300x169.jpg 300w, https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr-640x360.jpg 640w, https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr-100x56.jpg 100w, https://www.thestorydepartment.com/wp-content/uploads/2018/11/rdr-944x531.jpg 944w" sizes="(max-width: 1024px) 100vw, 1024px" /></p>



<p>&nbsp;</p>
<div class="saboxplugin-wrap" itemtype="http://schema.org/Person" itemscope itemprop="author"><div class="saboxplugin-tab"><div class="saboxplugin-gravatar"><img alt='Karel FG Segers' src='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=100&#038;d=mm&#038;r=g' srcset='https://secure.gravatar.com/avatar/7f7036afec18838e556057d7300476fdc1b21804bf893e3963108bdd69c0f0c7?s=200&#038;d=mm&#038;r=g 2x' class='avatar avatar-100 photo' height='100' width='100' itemprop="image"/></div><div class="saboxplugin-authorname"><a href="https://www.thestorydepartment.com/author/karel-segers/" class="vcard author" rel="author"><span class="fn">Karel FG Segers</span></a></div><div class="saboxplugin-desc"><div itemprop="description"><p>Karel Segers wrote <a href="https://www.youtube.com/watch?v=7PqQjgjo1wA"> his first produced screenplay</a> at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.</p>
<p>Subscribe to our <a href="https://www.youtube.com/c/TheStoryDepartment">YouTube Channel</a>!</p>
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