The Hero Must Change!

Blake Snyder describes it thus: “The Covenant of the Arc is the screenwriting law that says: Every single character in your movie must change in the course of your story. The only characters who don’t change are the bad guys. But the hero and his friends change a lot.” (“Save the Cat” 2005 p134). This is a … Read more

Cinematic Storytelling (3)

Two seemingly prosperous young women are seated together in a garden. One is reading a letter. The other just observes and listens. The painting is by Marcus Stone, dates from 1889, and is titled: Her First Love Letter. (Continued from last week) To quote Bordwell: “The girl on the left, bathed in light, leaning forward eagerly … Read more

How To Write A BlockBuster

I am not an expert by any means. But this I learned behind the scenes: There are seven rules you should muster, for you to write a tentpole blockbuster. . 1. Rule number one, is a controversial nail. Your hero must be male. It’s because his motivations are primal and plain, we make his journey … Read more

Best o/t Web 17 Oct

:: Reviewing Memento (Nolan Theme Week)
:: 60 Best blogs for aspiring screenwriters
:: 65 nations compete for Best Foreign Film at the Oscars
:: Selling more scripts through personality typecasting
:: Query Letters: the three paragraph rule
:: Aaron Sorkin on The Social Network’s depiction of women
:: Is this the end for Mad Max?
:: Redford bringing Sundance to the UK?
:: Prince of Persia, original screenplay
:: What about the use of coincidence in a comedy?
:: The emotional and psychological world of you and your characters

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