Writing Drama (9)

Yves Lavandier’s book Writing Drama currently rates as the absolute favorite of our book reviewer Jack Brislee. To give you the opportunity to delve into Lavandier’s amazing knowledge and insight, we will be publishing a weekly excerpt from the book. The nature of the objective It is clear from this that an objective does not … Read more

Writing Drama (8)

Yves Lavandier’s book Writing Drama currently rates as the absolute favorite of our book reviewer Jack Brislee. To give you the opportunity to delve into Lavandier’s amazing knowledge and insight, we will be publishing a weekly excerpt from the book. Emotion The spectator is an essential partner in the dramatic process. In fact it can … Read more

Writing Drama (7)

Yves Lavandier’s book Writing Drama currently rates as the absolute favorite of our book reviewer Jack Brislee. To give you the opportunity to delve into Lavandier’s amazing knowledge and insight, we will be publishing a weekly excerpt from the book. Conflict versus spectacle Most works of drama, particularly in cinema, seek to blend conflict and … Read more

Writing Drama (6)

Yves Lavandier’s book Writing Drama currently rates as the absolute favorite of our book reviewer Jack Brislee. To give you the chance to delve into Lavandier’s amazing knowledge and insight, we publish a weekly excerpt from the book. Ineffective Conflict In some cases, forms of conflict drawn from life prove ineffective in dramatic terms. This occurs … Read more

Writing Drama (5)

What we mean by “conflict” is any kind of situation or feeling entailing opposition. These may be battles, struggles, difficulties and a variety of problems such as dangers, failures, misfortunes or poverty. Conflict produces unpleasant sensations (the physiological aspect) or feelings (the psychological aspect) on those who experience it, of which the most common are … Read more