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The Story Department

The Story Department

Common sense for the writing folk

Ben Hecht

Best o/t Web 18 Jul

July 18, 2010 by Solmaaz

:: Let the music inspire you.
:: Act three: the final showdown.
:: Meeting an agent, the writer is the girl in the relationship.
:: Questions of character for your character in question.
:: Got the app? An iPhone user’s cheat sheet.
:: Don’t let your planning set your story up in smoke.
:: Watch out for your work: 5 contract tips for filmmakers.
:: Interview with screenwriter Ben Hecht.
:: It’s done! Now, however do I sell it?

Read more

Categories Best of the Web Tags agent, Ben Hecht, contract tips, filmmaking apps, John August Leave a comment

Writing Scripts

  • Courses, Books & Consults Won’t Cut It.
  • Bad Hombres, Good Homages And 2 Effective Character Intros
  • FORMATTING TIP: Superimposed Text + Over Black
  • Final Draft 10 Reviewed
  • Kung Fu Hustle [Sixty Seconds of Suspense]
  • Scene Structure With Aaron And Gust
  • Aaron Sorkin Master Class: Do It! [not for the reason you think]
  • Ex Machina’s Secrets Show Garland’s Directing Genius
  • Jimmy McGovern: Soap Writer With Substance
  • William Friedkin And The Faces Of The 70’s
  • Beau Willimon, Writer Out Of Necessity
  • Screen Dialogue Genius: Nightcrawler
  • Back To The Future [Goals From The Get-Go]
  • King Kong Dies [As Does The Movie, A Little]
  • Kuleshov In The Parallax View [You Don’t Really Want To Watch]

Story Development

  • Masks, Archetypes and Metaphors [and why the Donald doesn’t don]
  • The Dreaded Passive Protagonist Will Never Kill Your Script Again
  • Courses, Books & Consults Won’t Cut It.
  • The Idea: The Seven Elements Of A Viable Story
  • “Set Up The Goal Before The End Of Act 1” – And Other Bad Screenwriting Advice
  • What I Hate About Studios [And Why I ‘Get’ Some Pirates]
  • Get Out Is An Instant-Classic [Five Reasons – And Spoilers]
  • 5 Reasons Why Loglines Are Incredibly Important
  • Screenwriter At The Movies: Casablanca (1942)
  • Gold (2016) [Screenwriter At The Movies]

Pitching and Selling

  • Get Out Is An Instant-Classic [Five Reasons – And Spoilers]
  • 5 Reasons Why Loglines Are Incredibly Important
  • Is It Done? 7 Signs You’re Ready To Sell Your Script
  • Fantastic Story Ideas [And Where To Find Them]
  • 7 Reasons Why Spotlight Shouldn’t Have Been Made
  • Where Is Your Portfolio Website? [Marketing For Screenwriters]
  • Your Screenplay Will NOT Pay You Millions [About Hope and Hype]
  • Loglines Are The Key To Understanding Your Own Story
  • Stop Making Sense, Screenwriters!
  • What the Hell is High Concept?
  • The three phases of a Crowdfunding Campaign – the U-Curve Effect
  • Screenwriting Competitions Are Worth More Than You Think
  • Writing Yourself Out of a Hole
  • How to Pitch in One Sentence
  • The Easiest Genres to Sell

Have you read these yet?

  • Masks, Archetypes and Metaphors [and why the Donald doesn’t don]
  • The Dreaded Passive Protagonist Will Never Kill Your Script Again
  • Courses, Books & Consults Won’t Cut It.

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