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The Story Department

The Story Department

Common sense for the writing folk

danny boyle

Best o/t Web 12 Sep

September 12, 2010 by Karel FG Segers

:: John August’s blog revamped. Gorgeous!
:: Danny Boyle and the Art of Amputation
:: Blake Snyder’s Story Patterns vs. Genre
:: Universal brings King’s Dark Tower to the cinema
:: Top 7 New York Films
:: Sixty Bill Murray facts to celebrate his 60th
:: Movies for free: Phantom of the Opera
:: Carson Reeves vs. M Night Shyamalan. Guess who loses
:: Screenwriter Peter Morgan just can’t get enough of Tony Blair
:: Roger Ebert’s collection of 100 Great Movie Moments (via Kottke)
:: Actors have a job too. So stick to writing the story
:: Sequences will save you during the rewrite
:: Who might be the new Ellen Ripley? Here’s a good candidate…
:: More arthouse doom and gloom. Next victim: Breillat
:: Nolan is hot, Bruckheimer is not. Summer winners and losers
:: Mad Men: The future of American cinema is on TV, says David Hare
:: Screenwriter finally makes first sale: old lamp on eBay (Hollywood Roaster)

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Categories Best of the Web Tags 127, bill murray, blake snyder, Chris Nolan, danny boyle, david hare, ellen ripley, jerry bruckheimer, John August, man men, new york, peter morgan, phantom of the opera, roger ebert, sequences, stephen king, the dark tower, tony blair 1 Comment

Writing Scripts

  • Courses, Books & Consults Won’t Cut It.
  • Bad Hombres, Good Homages And 2 Effective Character Intros
  • FORMATTING TIP: Superimposed Text + Over Black
  • Final Draft 10 Reviewed
  • Kung Fu Hustle [Sixty Seconds of Suspense]
  • Scene Structure With Aaron And Gust
  • Aaron Sorkin Master Class: Do It! [not for the reason you think]
  • Ex Machina’s Secrets Show Garland’s Directing Genius
  • Jimmy McGovern: Soap Writer With Substance
  • William Friedkin And The Faces Of The 70’s
  • Beau Willimon, Writer Out Of Necessity
  • Screen Dialogue Genius: Nightcrawler
  • Back To The Future [Goals From The Get-Go]
  • King Kong Dies [As Does The Movie, A Little]
  • Kuleshov In The Parallax View [You Don’t Really Want To Watch]

Story Development

  • Masks, Archetypes and Metaphors [and why the Donald doesn’t don]
  • The Dreaded Passive Protagonist Will Never Kill Your Script Again
  • Courses, Books & Consults Won’t Cut It.
  • The Idea: The Seven Elements Of A Viable Story
  • “Set Up The Goal Before The End Of Act 1” – And Other Bad Screenwriting Advice
  • What I Hate About Studios [And Why I ‘Get’ Some Pirates]
  • Get Out Is An Instant-Classic [Five Reasons – And Spoilers]
  • 5 Reasons Why Loglines Are Incredibly Important
  • Screenwriter At The Movies: Casablanca (1942)
  • Gold (2016) [Screenwriter At The Movies]

Pitching and Selling

  • Get Out Is An Instant-Classic [Five Reasons – And Spoilers]
  • 5 Reasons Why Loglines Are Incredibly Important
  • Is It Done? 7 Signs You’re Ready To Sell Your Script
  • Fantastic Story Ideas [And Where To Find Them]
  • 7 Reasons Why Spotlight Shouldn’t Have Been Made
  • Where Is Your Portfolio Website? [Marketing For Screenwriters]
  • Your Screenplay Will NOT Pay You Millions [About Hope and Hype]
  • Loglines Are The Key To Understanding Your Own Story
  • Stop Making Sense, Screenwriters!
  • What the Hell is High Concept?
  • The three phases of a Crowdfunding Campaign – the U-Curve Effect
  • Screenwriting Competitions Are Worth More Than You Think
  • Writing Yourself Out of a Hole
  • How to Pitch in One Sentence
  • The Easiest Genres to Sell

Have you read these yet?

  • Masks, Archetypes and Metaphors [and why the Donald doesn’t don]
  • The Dreaded Passive Protagonist Will Never Kill Your Script Again
  • Courses, Books & Consults Won’t Cut It.

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