Earlier this year Screen Australia invited Michael Hauge again, this time to explain to local screenwriters what High Concept means.
If you’re still struggling with that concept, this video might help.
If you don’t have the time to watch the whole video – despite the thorough editing there’s a lot of silence in between the words – here is Michael Hauge’s definition in one sentence:
“A high concept is a story concept that is strong enough
that it will draw an audience without any other components.
It is not dependent on casting, name director, execution, good worth of mouth, […] it is simply the story idea alone
that will promise an emotional experience.”
Obviously the key skill is not in knowing this definition; it is in being able to find an idea that fits the definition.
With thanks to Dana Skowrnowski and Adrian Kok. If you liked this, check out more videos about screenwriting or filmmaking. And if you know of a great video on Screenwriting, let us know in the comments. Thanks!
Karel Segers wrote his first produced screenplayat age 17. Today he is a story analyst with experience in international acquisition, development and production. He co-wrote Danger Close, the biggest budget Australian film of the decade, and has trained and consulted all over the world, including award-winners and Academy Award nominees. Karel ranks among the most influential people for screenwriting on social media, and speaks a handful of European languages, which he is still trying to find a use for in his present hometown of Sydney, Australia