Story. Screenplay. Sale.
Deceit is at the heart of every good story. Falsehoods, un-truths and blatant deceptions. If a story isn’t a den of lies then it’s likely – somewhat ironically – to be missing the essential element that will may make the experience of that story authentic and truthful. by Mike Jones Does that sound a … Read more
I have written before why in my view Up In The Air didn’t work for a mainstream audience despite the generous attention the film received around Oscar time last year. This time we look at the detailed structure in acts and sequences. Only now, at the time of publication, I realize this is an excellent … Read more
Story & Structure :: Die Hard 2: A disaster :: James Bond is the bond girl :: 3 act structure: pros and cons from the gurus Script Perfection :: Screenwriting Tips: TV characters | Misunderstandings :: Talking over a black screen :: Knowledge of your business Pitching & Selling :: Launch your screenwriting career :: There is always another way Best of the Rest … Read more
Your primary focus is on story and less on writing scenes, sharp dialogue or gripping action. Inevitably, though, once figured out your characters and their journeys, you are down to the daunting task of writing that next draft. The Dept Revisited – A rerun of the best of the Story Dept. You will be writing … Read more
In 2011, each week 10 judges will review two short synopses from films that are currently in development. The objective is to all (that includes us judges) learn from the exercise. Please comment on our comments! photo credit: swanksalot If you have an opinion on any of these synopses or the feedback from the judges, … Read more