Story. Screenplay. Sale.
Film buffs love referring to Alfred Hitchcock. Invariably you’ll hear them rave about Psycho, Rear Window or Vertigo . Rarely do I hear anyone praise Hitchcock’s personal favorite A Shadow Of A Doubt, let alone his earlier English films. by Karel Segers BACK TO ENGLAND After all, Hitchcock’s greatest successes were his American movies starring … Read more
2001 A Space Odyssey is a monumental movie, a classic and a tent pole within the oeuvre of Stanley Kubrick. What it is not, is dramatic. It is primarily philosophical and poetic. by Karel Segers FOUR PARTS Kubrick wanted us to find our own interpretation of the film. For me, the first chapter The Dawn … Read more
Arm each character with a secret to keep and a lie to tell – secrets and lies that have value and possibility for damage – and then throw events at the characters that force the secrets and lies out into the open… At the heart of all great screen drama are Big Secrets and Bold … Read more
Deceit is at the heart of every good story. Falsehoods, un-truths and blatant deceptions. If a story isn’t a den of lies then it’s likely – somewhat ironically – to be missing the essential element that will may make the experience of that story authentic and truthful. by Mike Jones Does that sound a … Read more
Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief ‘disconnection’ doesn’t hurt the story: after a climax. The start of Act Two is a good place to move to the antagonist’s POV. We have just seen that our protagonist is ready to take on … Read more