Story. Screenplay. Sale.
If you like longer contributions, check out these articles that run over several posts.
Jan Ellis writes for South-African television as one of the team on “Binnelanders”. (Interestingly, he does this from Sydney in Australia.) For us, Jan explores what it is that sets daily drama writing apart from other screenwriting genres. Mapping out the Territory of the Dialogue Writer. Most writing departments employ a larger number of dialogue … Read more
Jan Ellis writes for South-African television as one of the team on “Binnelanders”. (Interestingly, he does this from Sydney in Australia.) For us, Jan explores what it is that sets daily drama writing apart from other screenwriting genres. The writing/production environment The practical implications of the production of daily drama seriously influence creativity in the … Read more
Jan Ellis writes for South-African television as one of the team on “Binnelanders”. (Interestingly, he does this from Sydney in Australia.) For us, Jan explores what it is that sets daily drama writing apart from other screenwriting genres. Differences of space/time The second aspect of daily drama writing that sets it apart from other screenwriting … Read more
Jan Ellis writes for South-African television as one of the team on “Binnelanders”. (Interestingly, he does this from Sydney in Australia.) For us, Jan explores what it is that sets daily drama writing apart from other screenwriting genres. This is my first blog post. Pop. My briefing was to highlight some of the unique methods … Read more
Writer/Producer Meg Shields reflects on the development of her script which recently won the Bill Warnock Feature Writers Awards in WA. Will this mean a future in which she can buy her kids birthday cakes without the guilt of not baking them? With Australian films struggling at the box office and many great writers out of work, … Read more