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The Story Department

Story. Screenplay. Sale.

Pitching & Selling

To be a working screenwriter, one needs to write AND sell.

They’ve already won

March 28, 2009 by Karel FG Segers

At a recent networking event, I met two filmmakers, 14 and 16 years old. When I asked them in what capacity they were there, they said: “Oh, we’re just trying to network as much as possible.” I had to bite my tongue it seemed so funny. I wanted to figure out who they were, not … Read more

Categories Pitching & Selling Tags co-writing, dreams, networking, Short Film, tropfest Leave a comment
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Pitching and Selling

  • Story Analyst Michael Sweeney on Script Reading, Taylor Sheridan, and the Future of Screenwriting
  • Yellowstone’s Taylor Sheridan: Power, Politics & Progress
  • Why Taylor Sheridan Is The Most Relevant American Screenwriter
  • Taming The Industry Standard 1-Page Synopsis
  • Get Out Is An Instant-Classic [Five Reasons – And Spoilers]
  • 5 Reasons Why Loglines Are Incredibly Important
  • Is It Done? 7 Signs You’re Ready To Sell Your Script
  • Fantastic Story Ideas [And Where To Find Them]
  • 7 Reasons Why Spotlight Shouldn’t Have Been Made
  • Where Is Your Portfolio Website? [Marketing For Screenwriters]
  • Your Screenplay Will NOT Pay You Millions [About Hope and Hype]
  • Loglines Are The Key To Understanding Your Own Story
  • Stop Making Sense, Screenwriters!
  • What the Hell is High Concept?
  • The three phases of a Crowdfunding Campaign – the U-Curve Effect

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