Do you have the tools?

One of Celtx’s first three new “Learning Templates” is a tool pack for script development: “The Writer’s Development Kit”. I can highly recommend it, not only because of its ridiculously low price, but also because I wrote it.(*) There has been a lot of confusion about the terms logline, synopsis, and treatment so I try to shed some light on those as … Read more

10 Reasons why movies aren’t novels

Next month, Michael Hauge and Steve Kaplan will be in Australia for two weekends of story classes. This month we run a special guest contribution by Michael Hauge plus we give Melbournians the chance to win a free ticket to the event (worth $445). (continued from here) The principles I outline below hold true for … Read more

A Season of Writing Drama

We have raved before about Yves Lavandier’s book Writing Drama. This time we have something very special to announce to you. Throughout June, July and August we will be running a weekly post covering some of the best excerpts from this book. In addition, if you like what you read, as a reader of the … Read more

Exposition in Cameron’s The Abyss

Yesterday I had the enormous privilege and honor of watching James Cameron’s The Abyss on the big screen, sitting next to the movie’s concept designer Ron Cobb. The last time I saw the film in a cinema was at a preview before its release in 1986.

The scene in this clip is a trademark Cameron setup.

Remember the unobtainium – ‘floating rock’ scene in Avatar? That is a case of exposition that some love and others loathe.

This scene from The Abyss sits around about the same time into this movie and sets up an equally important concept, which will be crucial in the movie’s climax.

The scene is in my view one of the most supreme examples of exposition. It combines character and tension with essential story information.

It shows how James Cameron has always been a tremendously gifted screenwriter.

Enjoy!

In fact – and contrary to the unobtainium scene – Ron Cobb confirmed to me that the fluid breathing system is not sci-fi but fact.  Hippy’s rat is submerged in actual fluid breathing system liquid and in this scene it is really breathing underwater. Apparently, Beany the rat survived for quite a while afterwards and died of natural causes.

(On the contrary – as you might have guessed – in the movie’s climax Ed Harris did not breathe liquid. The glass of his suit was tinted amber to suggest it was filled with the liquid.)

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