Courses, Books & Consults Won’t Cut It.

In addition to working with writers, producers and agencies everywhere, I teach screenwriting courses at film schools in Australia, Europe and online. The school gigs largely consist of lecturing about screenwriting theory, and consulting on the students’ screenplays. I love teaching, I adore my students, and I’m fortunate enough to see some good results, as … Read more

The 2-Act Structure [Because You Write The Rules]

In an earlier post I warned you about the 2-Act Structure. If none of the structural paradigms offered by the gurus work for you, why don’t you create your own? Here is mine. Every structure model is academic. There really are no rules. Instead, these systems are merely tools to allow us to communicate about … Read more

Brace Yourself, Screenwriter! It’s The Come-Back Of Structure Man

Yes friends, that is me in the pic. Even more surprising, it is actually me writing this. With my – temporary – new look comes a new vigor and plan to write more. Hopefully not so temporary. In any case I’m back! (Voice In My Head: “But we’ll see how long for…”) by Karel Segers … Read more

Exposition in Cameron’s The Abyss

Yesterday I had the enormous privilege and honor of watching James Cameron’s The Abyss on the big screen, sitting next to the movie’s concept designer Ron Cobb. The last time I saw the film in a cinema was at a preview before its release in 1986.

The scene in this clip is a trademark Cameron setup.

Remember the unobtainium – ‘floating rock’ scene in Avatar? That is a case of exposition that some love and others loathe.

This scene from The Abyss sits around about the same time into this movie and sets up an equally important concept, which will be crucial in the movie’s climax.

The scene is in my view one of the most supreme examples of exposition. It combines character and tension with essential story information.

It shows how James Cameron has always been a tremendously gifted screenwriter.

Enjoy!

In fact – and contrary to the unobtainium scene – Ron Cobb confirmed to me that the fluid breathing system is not sci-fi but fact.  Hippy’s rat is submerged in actual fluid breathing system liquid and in this scene it is really breathing underwater. Apparently, Beany the rat survived for quite a while afterwards and died of natural causes.

(On the contrary – as you might have guessed – in the movie’s climax Ed Harris did not breathe liquid. The glass of his suit was tinted amber to suggest it was filled with the liquid.)

Read more