Story. Screenplay. Sale.
In the early days of cinema, the feature presentation contained two parts, with an intermission halfway, at the mid point. The audience would stretch their legs, visit the bathroom and buy more popcorn. In fact, we didn’t buy popcorn back then. An ice cream vendor walked the aisles, and sold what I remember to be the best ice cream I … Read more
In an earlier post I warned you about the 2-Act Structure. If none of the structural paradigms offered by the gurus work for you, why don’t you create your own? Here is mine. Every structure model is academic. There really are no rules. Instead, these systems are merely tools to allow us to communicate about … Read more
DIE HARD contains all the evidence needed to send even the staunchest Hero’s Journey skeptics on a quest. Its plot is perfect, the Hero transformation convincing and Jung himself would have drooled over the Hero-Shadow relationship. by Karel Segers The one quote everyone remembers is “Yippee-ki-yay, motherfucker” but my favorite moment of the movie is … Read more
A movie’s Mid Point usually fulfills a number of functions. In the Hero’s Outer Journey, an event occurs that makes the Hero change the approach to pursuing the goal. On the inner level, the Hero shows a first commitment to change. Some people speak of the Point of No Return. Because every strong plot point … Read more
Most ‘gurus’ each have their own area of expertise and angle of attack, they each follow their own agenda. And with every new light shed on the craft, different people may see that light. Don’t they ever contradict each other? And if they do, which truth do YOU choose? Screenwriting is a dynamic craft. What … Read more