Story. Screenplay. Sale.
Next Saturday it would have been 100 days since I last heard from MM. When I reflected on this last week, I realized he had never been completely silent for that long. Today I received the sad news our dear friend passed away. I had the honor and the privilege of corresponding with MM behind … Read more
Most ‘gurus’ each have their own area of expertise and angle of attack, they each follow their own agenda. And with every new light shed on the craft, different people may see that light. Don’t they ever contradict each other? And if they do, which truth do YOU choose? Screenwriting is a dynamic craft. What … Read more
Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says: “Tell the truth.” (see the previous post) McKee means: your story needs to reflect your worldview. If you contradict whatever you believe in for the sake of commerce, you will fail. During his Arthouse seminar, he gives … Read more
This blog started when a certain analysis of Michael Mann’s THE INSIDER sparked my frustration. Discussing BLADE RUNNER in a story workshop recently, I felt I was close to doing the exact same thing. To this date I don’t fully agree with her INSIDER analysis but Linda Aronson taught me this: to learn story, you … Read more
Nafa – Choctops Meeting: 18/2/08 (Report by John Haly, Thank you to Tony Chu) Karel -a Belgian producer and script consultant – founded OZZYWOOD Films and The Story Department (which is a unique Australian blog and online resource for screen story theory). Karel headed production and programming at London’s Digital Broadcasting Company and was a … Read more