Story. Screenplay. Sale.
In a Q&A for Creative Screenwriting Magazine, Michael Arndt made the point that “happy endings are really underrated”. It got me thinking. What’s wrong with a Hollywood ending? If you have a truly well-written story, why would a happy ending diminish its value? Why is it that writers believe happy endings are a cheap Hollywood … Read more
MICHAEL HAUGE is a story consultant, author and lecturer who works with writers and filmmakers. He has coached or consulted on projects for Will Smith, Julia Roberts, Robert Downey, Jr. and Morgan Freeman, plus every Hollywood studio. I am speaking with Michael about his career, his teaching and his first visit to Australia in May … Read more
Nafa – Choctops Meeting: 18/2/08 (Report by John Haly, Thank you to Tony Chu) Karel -a Belgian producer and script consultant – founded OZZYWOOD Films and The Story Department (which is a unique Australian blog and online resource for screen story theory). Karel headed production and programming at London’s Digital Broadcasting Company and was a … Read more
Inciting Incident, Catalyst, Call to Adventure, Disturbance. All terms referring to the first crucial moment: the point where your story kicks off. Michael Hauge closes the first of his six story stages with it, at the 10% point of the story (10mins in a 100mins movie). Paul Gulino sees it as the end of the … Read more
The first guy to write down that a story needs a beginning, middle and end, was Aristotle. About twenty-four centuries ago. But his beginning is not the same as our Act One; it is the point in this act where the story kicks off. What Aristotle was talking about, in screen story terms we call … Read more