Story. Screenplay. Sale.
Writing loglines is an essential skill for screenwriters, from early development through to the pitch. In this section, every week our panel reviews a few loglines posted to www.logline.it. Learn from the feedback and perfect your own loglining skills. by The Judges Works of Fiction [box] “A reclusive writer discovers the murders in her novels are … Read more
Writing loglines is an essential skill for screenwriters, from early development through to the pitch. In this section, every week our panel reviews a few loglines posted to www.logline.it. Learn from the feedback and perfect your own loglining skills. by The Judges Untitled [box] “When a policeman’s family is kidnapped by a sadistic crimelord he must … Read more
What’s film, and what’s TV? Yes, I’m talking about story here – this site’s title is the big clue. It used to be easy to tell the difference. Films had scale – elaborate sets, crowd scenes, big things blowing up – and they had movie stars: actors you wouldn’t see on the small screen. by … Read more
In my Hero’s Journey classes I explain how in great movies, any form of movement is full of meaning. Too many writers don’t understand how to handle movement. And really, if you don’t write movement, you’re not writing a movie. by Karel Segers A chase is never just a chase. Have you noticed that the … Read more
A properly structured screenplay must have three acts… Or four? I have said before that the model you use to improve your screenwriting is your own choice. At the end of the day it is all academic. Whatever works for you. The Dept Revisited – A rerun of the best of the Story Dept. A … Read more