:: Martin Scorcese on story versus plot.
:: Stuck for ideas? Look around you in everyday life.
:: The psychological process from disunity to unity, Inception’s elements.
:: The key to presenting religion in science fiction.
:: A look at scene description: One Flew Over the Cuckoo’s Nest.
:: Young Adult and Diablo Cody.
:: Close Encounters of the Third Kind, Spielberg script.
:: Interview with screenwriter Alex Litvak.
:: The benefits of reading aloud, hear your story.
science fiction
Exposition in Cameron’s The Abyss
Yesterday I had the enormous privilege and honor of watching James Cameron’s The Abyss on the big screen, sitting next to the movie’s concept designer Ron Cobb. The last time I saw the film in a cinema was at a preview before its release in 1986.
The scene in this clip is a trademark Cameron setup.
Remember the unobtainium – ‘floating rock’ scene in Avatar? That is a case of exposition that some love and others loathe.
This scene from The Abyss sits around about the same time into this movie and sets up an equally important concept, which will be crucial in the movie’s climax.
The scene is in my view one of the most supreme examples of exposition. It combines character and tension with essential story information.
It shows how James Cameron has always been a tremendously gifted screenwriter.
Enjoy!
In fact – and contrary to the unobtainium scene – Ron Cobb confirmed to me that the fluid breathing system is not sci-fi but fact. Hippy’s rat is submerged in actual fluid breathing system liquid and in this scene it is really breathing underwater. Apparently, Beany the rat survived for quite a while afterwards and died of natural causes.
(On the contrary – as you might have guessed – in the movie’s climax Ed Harris did not breathe liquid. The glass of his suit was tinted amber to suggest it was filled with the liquid.)
Karel Segers wrote his first produced screenplay at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.
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