Screenwriting: from Fail to Sale (4/5)

There’s this notion among screenwriters that if a plot point doesn’t work, you can brush over it, I’ve done it a bunch of times, why? Because we see plot points in great films that just don’t work and we forgive them. By Samuel Bartlett The Law of Causation So why not forgive my little lack … Read more

Cinematic Storytelling (6)

Here’s a sequence from Robert Towne’s Chinatown, a script that really deserves no introduction. This is my favorite sequence in this script in terms of screenwriting techniques. Reading this for the first time was such a revelation to me. by Mystery Man I love the way Towne uses Secondary Headings to cut back and forth … Read more

Best o/t Web 14 Mar 10

:: Black on action (via Scott Myers).

:: Christopher Nolan on what to expect from Batman 3

:: How to logline a dual plot story? John August helps.

:: Dick happy about Blade Runner (via Kottke).

:: Final word on the Oscars (and Karel agrees)

:: The North By Northwest shooting script for download

:: Charlie (and Donald) Kaufman’s Adaptation script

:: (we keep going…) The Shawshank Redemption script

:: Finally: Basic Instinct (for Forest Gump and MANY others, go to MyPDFscripts.com)

:: Hitchcock on Content vs. Technique (via Bill Martell)

:: To three-act-structure or free-form, that is the question.

:: Cultivating a following- writing for a TV series.

:: Advice: never send out your first screenplay.

:: Own up to your audience: your inciting incident.

:: What really goes on in act one?

:: Satire with a touch of truth: the Super Script

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