Story. Screenplay. Sale.
A structural overview of Iron Man (Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway 2008). Not just a great comic book adaptation and an exciting action flick, but also an elegantly written piece of cinema entertainment, executed with a daring cast and grounded in a solid foundation of character. ACT ONE SEQUENCE A – Tony … Read more
Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief ‘disconnection’ doesn’t hurt the story: after a climax. The start of Act Two is a good place to move to the antagonist’s POV. We have just seen that our protagonist is ready to take on … Read more
A structural overview of Terminator 2: Judgment Day (J. Cameron, 1991). Terminator 2 offers amazing entertainment, with groundbreaking visual effects and unexpected character layers. Just like he did five years earlier with Aliens, co-writer/director James Cameron delivered an exceptionally satisfying sequel. ACT ONE Sequence A: Two Terminators 00.00 Girl on swings, idyllic ‘silence before the … Read more
A cult comic, two charismatic teen actresses, an inspired director and a sparse score. Six pages of a comic book were turned into one of the coolest movies of the decade. A structural overview of Terry Zwigoff’s Ghost World (2001). Because the plot points are often quite subtle, structurally this film seems a bit fluid and the protagonist’s … Read more
This is the first in a series of structural overviews of popular films. Identifying the main story turns in a film is a great way to get a solid understanding of how film story works. So I invite you to view these films, break them down in their main story parts and compare notes with … Read more