Karel FG Segers

Karel Segers wrote his first produced screenplay at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers. Subscribe to our YouTube Channel!

Events vs. Actions

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In the context of story I often speak of EVENTS and ACTIONS. In essence it’s a very simple and at the same time hugely important concept. Among many other things it can save you from the dreaded ‘passive protagonist’ syndrome. Simply put, it’s about Action and Re-action. In the context of story however, this will make … Read more

Structure: The Incredibles

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A structural overview of The Incredibles (Brad Bird 2004) “Animation is not a genre but an art form” says writer-director Brad Bird on the commentary track. This is one of the most enjoyable superhero action adventures I know. It is also the #1 movie I will never forgive myself for not seeing in the theaters … Read more

Plot => Character (Rituals => Tribe)

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Character or plot. Which comes first? Some say character prevails, others say it’s a chicken and egg thing. But … how do you define a character? In film, you can only reveal what a character is about by showing its actions. Dialogue doesn’t work, because it sounds false, ‘on the nose’. As a matter of … Read more

Cut the Second Draft Paste

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Here’s the next contribution in our series of guest posts. Screenwriter John Pace has the solution to a fresh, immeasurably better 2nd draft. There will be resistance but it only proves you’re in denial. Just follow John’s advice and do what you need to do. When writing a second-draft screenplay it‘s simultaneously terrifying and comforting … Read more