Story. Screenplay. Sale.
A structural overview of The Incredibles (Brad Bird 2004) “Animation is not a genre but an art form” says writer-director Brad Bird on the commentary track. This is one of the most enjoyable superhero action adventures I know. It is also the #1 movie I will never forgive myself for not seeing in the theaters … Read more
I am a fan of Ridley Scott’s flamboyant visual style of filmmaking. Although he has had numerous box office successes, in my view he has never equalled the overall excellence of THELMA & LOUISE (1991). It is a fabulous movie and an outstanding debut script by first-timer Callie Khouri. Here is an attempt to analyse … Read more
Michael Mann’s commentary on the Restored Director’s Cut of MANHUNTER focuses primarily on the parallel psychology of the serial murderer and the cop. But let’s skip to the last few minutes of the commentary in which Michael Mann summarises his approach to filmmaking. “Film is made in the editing room. In the writing and in … Read more
Following my post on SYRIANA writer/director Stephen Gaghan, I came across an interesting discussion on the necessity of rigorous structuring vs. a more liberal, visual approach to screenwriting. Jim Mercurio makes the following point about Gaghan’s comments in the notorious CS podcast: “Gaghan’s comments are showing that he is evolving from a screenwriter into a … Read more