:: The mantra of all mantras: read, watch, write.
:: Horror movies take over!
:: Written interview with the late Stephen J. Cannell.
:: Stephen Frears on “Tamara Drewe”.
:: Structure in a thriller, what they won’t tell you.
:: Hidden gem: CBS’s “The Defenders”.
:: Take a look at American film comedy: Another Fine Mess.
:: Battling all your possible angles.
:: Get by with a little help from your friends.
:: The craft of visual storytelling.
Best of the Web
When we find good stuff for screenwriters, we pass it on. If the news is breaking or time-sensitive we re-publish immediately, otherwise check the weekly digest.
Best o/t Web 26 Sep
:: Don’t forget your mentor.
:: Where Alex gets his movies.
:: Modern noir in Kiss Kiss Bang Bang.
:: How Chewbacca came to be.
:: What makes for great science fiction.
:: How important are your character names?
:: A useful tool for character development.
:: If someone beats you at your own game, think outside the rules.
:: The focus: the protagonist metamorphosis arc.
:: The best foreign-language sci-fi flicks.
Best o/t Web 19 Sep
:: Finally: The great Bill Martell on video. (& Hitch, too)
:: Carson Reeves: How To Write For An A-List Actor
:: A Declaration Of Love To The Expendables
:: I’m Still Here Reviewed – And Exposed
:: The Social Network: Early Review
:: Bill Martell On Luck In Screenwriting
:: A Story Should Have Multiple Themes
:: SubPlots Add Emotional Depth
:: Best Of SciFi On io9 This Week
:: Script Worth The Read: Now You See Me
:: From Porn Set Dresser To Don Draper: John Hamm
:: Roger Ebert’s Seance With Errol Morris
Karel Segers wrote his first produced screenplay at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.
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Best o/t Web 12 Sep
:: John August’s blog revamped. Gorgeous!
:: Danny Boyle and the Art of Amputation
:: Blake Snyder’s Story Patterns vs. Genre
:: Universal brings King’s Dark Tower to the cinema
:: Top 7 New York Films
:: Sixty Bill Murray facts to celebrate his 60th
:: Movies for free: Phantom of the Opera
:: Carson Reeves vs. M Night Shyamalan. Guess who loses
:: Screenwriter Peter Morgan just can’t get enough of Tony Blair
:: Roger Ebert’s collection of 100 Great Movie Moments (via Kottke)
:: Actors have a job too. So stick to writing the story
:: Sequences will save you during the rewrite
:: Who might be the new Ellen Ripley? Here’s a good candidate…
:: More arthouse doom and gloom. Next victim: Breillat
:: Nolan is hot, Bruckheimer is not. Summer winners and losers
:: Mad Men: The future of American cinema is on TV, says David Hare
:: Screenwriter finally makes first sale: old lamp on eBay (Hollywood Roaster)
Karel Segers wrote his first produced screenplay at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.
Subscribe to our YouTube Channel!
Best o/t Web 5 Sep
:: Carson Reeves is impressed with Drive
:: Original Synopsis for Close Encounters for download
:: The Ultimate Guide to 20 Classic SF Shows
:: Scripts for Piranha 3-D and Scott Pilgrim vs. the World
:: Sci-Fi in September: Charlie Jane Anders’ Guide
:: All Roads Lead To Evil Dead: Bruce Campbell
:: Alexandra Sokoloff on the subplot pass
:: ScreenCulture.net: New ozzy site to strengthen industry by strengthening ideas
:: Indiewire’s Top 20 Indie Movies of the 2000’s (via Scott Myers)
:: Part 2 of the Steven Spielberg profile (Flickering Myth)
:: How To Get An Agent? (success not guaranteed)
:: Repeaters: more low budget sci-fi time travel
:: Ron Moore will make Harry Potter fans happy on TV
:: The Art of Napoleon Dynamite‘s Title Sequence
:: What you need to know about the Protag
Karel Segers wrote his first produced screenplay at age 17. Today he is a story analyst with experience in acquisition, development and production. He has trained students worldwide, and worked with half a dozen Academy Award nominees. Karel speaks more European languages than he has fingers on his left hand, which he is still trying to find a use for in his hometown of Sydney, Australia. The languages, not the fingers.
Subscribe to our YouTube Channel!