Story. Screenplay. Sale.
A structural overview of Jaws (Peter Benchley, Carl Gottlieb, Novel by Peter Benchley 1975) Steven Spielberg first drew me into movies with Close Encounters of the Third Kind, back in 1977. Because I was too young for Jaws in 1975, it wasn’t until later when I discovered the movie that really made Spielberg. Jaws literally … Read more
The first film of the Indiana Jones quadrilogy was created by Spielberg and Lucas, two of the greatest filmmakers of their generation, and offers a timeless piece of entertainment. This is a text book example of a Hero’s Journey, and an excellent starting point for screen story study. Did I mention it is also great … Read more
Because the first shift of POV in a film may jolt the audience’s experience, it works best where this brief ‘disconnection’ doesn’t hurt the story: after a climax. The start of Act Two is a good place to move to the antagonist’s POV. We have just seen that our protagonist is ready to take on … Read more
A structural overview of The Shawshank Redemption (Frank Darabont, 1994). It was nominated for seven Academy Awards: Best Picture, Best Actor (Morgan Freeman), Best Adapted Screenplay, Best Cinematography, Best Editing, Best Original Score, and Best Sound – but it failed to win a single Oscar. This film has an interesting structure because of its unusual … Read more
A structural overview of Michael Clayton (Tony Gilroy, 2007) in 8 Sequences. When I watched the film during its theatrical release, I thoroughly enjoyed it. Because of the relatively low budget (an estimated USD$25m) for its production values, Tony Gilroy was able to make some brave non-commercial decisions with his screen story. This didn’t go … Read more