POV Jack: [the movie]

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In newbie screenplays I often read “POV [Character Name]”. This is almost always unnecessary. BTW, Any technical element that is about HOW it is filmed rather than WHAT is filmed, takes us out of the read. This includes “Point of View”. So it is annoying. But more importantly, it is totally superfluous. To get my … Read more

Merciless Logicians …

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… & The Sliding Scale of Plausibility. Okay, a question for all the scribes: Must a thriller be totally plausible in order to be entertaining? Many film critics and TS reviewers behave like merciless logicians by pointing out each and every plot hole and logic flaw and thereby rejecting entire stories because of said plot holes … Read more

Best o/t Web 2 May 10

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:: Don’t let your script’s Sunk Costs mislead you.
:: The pulp science fiction renaissance has begun.
:: First thought: Best or worst?
:: The struggling indie scene: the rebuild.
:: Discouraged? The spec script market is not dead!
:: Fight for your right to rewrite, and get paid.
:: The WWYD question: why are you writing this?
:: A babbling pitch makes for a babbling script.
:: Wait, do I have to write for 3D now?
:: Don’t make a feature version of your short.
:: How do I cut down my script without breaking my heart?
:: The scripts for Nightmare on Elm Street, Kick-Ass etc.

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4 Variations on the Theme

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Although theme is rarely what a movie sells on, your movie better have a theme or ‘it won’t stick’. The theme is what makes a great story resonate further. It’s the statement you make as a writer about your vision on the world. Sometimes, when the theme rises to the surface of the story, people … Read more

Writer, writer pants on fire!

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Somebody once told me, if you’re good at gossip, you’re a good storyteller. But what about if you’re skilled at telling sweet little lies (with respect, F. Mac)? Do untruths make you an even greater tale spinner? ‘Cause, let’s face it, stories are just wild embellishments of facts, right? No! Stop! Rid your writer’s mind … Read more