Here’s our weekly selection from the blogosphere. Feel free to recommend anything or give your feedback in the Questions and Comments below.
And don’t forget you can subscribe to our posts so you don’t miss any of this, ever.
Story. Screenplay. Sale.
:: Never in cinemas. But read the treatment here: Spider-M4n. :: Subplots: What are they? How can they enhance my script? :: Subplot up close: “Back to the Future”. :: The Sherlock Holmes Screenplay. :: 10 (well.. 9) Sci-Fi Heroes who don’t need origin stories. :: Modern writing technology and their speeds (via Kottke) :: High school … Read more
Here’s our weekly selection from the blogosphere. Feel free to recommend anything or give your feedback in the Questions and Comments below.
And don’t forget you can subscribe to our posts so you don’t miss any of this, ever.
And don’t forget you can subscribe to our posts so you don’t miss any of this, ever.
Character or plot. Which comes first? Some say character prevails, others say it’s a chicken and egg thing. But … how do you define a character? In film, you can only reveal what a character is about by showing its actions. Dialogue doesn’t work, because it sounds false, ‘on the nose’. As a matter of … Read more
BRUBAKER strays from the traditional structure because of its offbeat First Act. It lacks an Inciting Incident, nor does it have any significant protagonist characterisation. We witness from Robert Redford’s character’s POV how the most appalling injustice and brutality is inflicted relentlessly upon his fellow inmates. Over thirty minutes into the movie, Redford’s character identifies … Read more