Story. Screenplay. Sale.
While you were out celebrating New Year’s Eve, I was watching David Cronenberg’s eXistenZ on DVD. Not that I’m such a pathetic hermit; it was just my wife’s fun idea of closing the Old Year. She admitted afterwards she might have been wrong. Missing the Sydney Fireworks and all that. Meanwhile, the Story Dept. has … Read more
In her PLOT CONSTRUCTION WORKSHOP, Linda Aronson discusses THE INSIDER as an example of a flawed script. The film not only put Russell Crowe on the celeb map with a Best Actor Nomination, it was also nominated for another six awards including Best Picture, Best Director and Best Adapted Screenplay. That’s a pretty good result … Read more
In an Australian government document relating to script development I found the term ‘omnipotent POV’. In a specialised screenwriting magazine I read “omnipresent POV”(*). Both are plain wrong. You’ve got to wonder: if they can’t even get the terminology right, there is reason to be concerned about their understanding of the concept. The correct term is … Read more
A toddler looks at a man pulling funny faces, moving his limbs in crazy spasms. He falls on the ground, he hits his head. The toddler jumps with excitement. A female bystander watches the scene, her face contorted, fighting back tears. The introduction of the woman suddenly gives us a reliable POV. Although we still … Read more
Recently I had the privilege and honour of reading a script by one of the most hyped young writers in this country, face on covers of magazines and all that. My expectations were high and yes: it delivered! I spent an amazing two hours reading it as the characters really jumped off the page and … Read more