‘Tis the season to welcome miracles.

The halls have been decked with the proverbial holly. Lists have been checked, twice. Red suits pressed. Reindeers shoed. Huge-never-to-be-repeated-all-stock-must-go-(no-really)-sales are in full festive swing. Resistance is futile. The silly season is upon us once more. Some people rue this time of year because they’re single or their family’s nuts – or both. For me, … Read more

In Late, Out Early

When Goldman wrote “get in late and leave early”, he was not talking about how you watch a bad movie. He meant screenwriters should keep scenes to what is essential to the story. No arrivals and departures, no meet & greet or chit-chat. This is one of the fundamental rules in writing a scene, one … Read more

Exposition in Cameron’s The Abyss

Yesterday I had the enormous privilege and honor of watching James Cameron’s The Abyss on the big screen, sitting next to the movie’s concept designer Ron Cobb. The last time I saw the film in a cinema was at a preview before its release in 1986.

The scene in this clip is a trademark Cameron setup.

Remember the unobtainium – ‘floating rock’ scene in Avatar? That is a case of exposition that some love and others loathe.

This scene from The Abyss sits around about the same time into this movie and sets up an equally important concept, which will be crucial in the movie’s climax.

The scene is in my view one of the most supreme examples of exposition. It combines character and tension with essential story information.

It shows how James Cameron has always been a tremendously gifted screenwriter.

Enjoy!

In fact – and contrary to the unobtainium scene – Ron Cobb confirmed to me that the fluid breathing system is not sci-fi but fact.  Hippy’s rat is submerged in actual fluid breathing system liquid and in this scene it is really breathing underwater. Apparently, Beany the rat survived for quite a while afterwards and died of natural causes.

(On the contrary – as you might have guessed – in the movie’s climax Ed Harris did not breathe liquid. The glass of his suit was tinted amber to suggest it was filled with the liquid.)

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Confessions of a Scriptwriter (2)

What makes a scriptwriter? Have you really got what it takes to be successful? Fresh back from presenting The Fantastical World of Scriptwriting in New York for the celebration of the 40th Anniversary of Woodstock, in this second contribution to The Story Department, filmmaker and teacher Jack Feldstein bares all and gives us his honest … Read more