Best o/t Web 19 Sep

:: Finally: The great Bill Martell on video. (& Hitch, too)
:: Carson Reeves: How To Write For An A-List Actor
:: A Declaration Of Love To The Expendables
:: I’m Still Here Reviewed – And Exposed
:: The Social Network: Early Review
:: Bill Martell On Luck In Screenwriting
:: A Story Should Have Multiple Themes
:: SubPlots Add Emotional Depth
:: Best Of SciFi On io9 This Week
:: Script Worth The Read: Now You See Me
:: From Porn Set Dresser To Don Draper: John Hamm
:: Roger Ebert’s Seance With Errol Morris

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Best o/t Web 25 Apr

:: The Matrix: Act I breakdown. Is Neo the One?
:: Get writing. Bring the good movies back!
:: Plots 101: a breakdown in threes.
:: IndieWire’s top 25 independent films to see this summer.
::
Could your character bio distract you from your story?
:: Find the voice of your series, then the show writes the show.
:: Save the trouble, your loved ones can be your experts.
:: Act II:2, weeding out the theme. What’s your story really about?
:: Great scene to ‘rattle your characters’ cages’: Cameron Crowe’s “Almost Famous.”
:: “There Will be Blood” Paul Thomas Anderson in the Hollywood Conversation Series.
:: Screenwriting help: how to write numbers in your dialogue.

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Best o/t Web 24 Jan 10

:: Never in cinemas. But read the treatment here: Spider-M4n. :: Subplots: What are they? How can they enhance my script? :: Subplot up close: “Back to the Future”. :: The Sherlock Holmes Screenplay. :: 10 (well.. 9) Sci-Fi Heroes who don’t need origin stories. :: Modern writing technology and their speeds (via Kottke) :: High school … Read more

Structure: Up

A structural overview of UP (Pete Docter, Bob Peterson, Thomas McCarthy 2009 I’ve been a big Pixar fan since stupidly missing out on the theatrical run of The Incredibles. In 2008 the festival potential of my own short animation Tin Can Heart – wr/dir. by Rod March – vaporised when Wall-E appeared weeks after the … Read more

Kenny – Plumbing the depths

National Screenwriters’ Conference 2009: Kenny – Plumbing the depths by: David Tiley Screen Hub Thursday 26 February, 2009 Before opening a completely charming discussion with Andrew Knight about the writing of ‘Kenny’, Clayton Jacobson produced some very sobering numbers. Kenny cost $500,000. By the time the film returned $5m, he was still $250,000 in debt. … Read more