:: Failed screenplays: don’t be another statistic.
:: With so much action, how to balance character and plot.
:: How to pull off an unscripted documentary.
:: Make it rain- for fifty bucks!
:: It feels like everything has been done… because it has.
:: Give your villain his monologue, he needs air time too.
:: Frank Cottrell Boyce says to forget the 3-act structure- thoughts, feelings, concerns?
Solmaaz
Best o/t Web 2 May 10
:: Don’t let your script’s Sunk Costs mislead you.
:: The pulp science fiction renaissance has begun.
:: First thought: Best or worst?
:: The struggling indie scene: the rebuild.
:: Discouraged? The spec script market is not dead!
:: Fight for your right to rewrite, and get paid.
:: The WWYD question: why are you writing this?
:: A babbling pitch makes for a babbling script.
:: Wait, do I have to write for 3D now?
:: Don’t make a feature version of your short.
:: How do I cut down my script without breaking my heart?
:: The scripts for Nightmare on Elm Street, Kick-Ass etc.
Best o/t Web 25 Apr
:: The Matrix: Act I breakdown. Is Neo the One?
:: Get writing. Bring the good movies back!
:: Plots 101: a breakdown in threes.
:: IndieWire’s top 25 independent films to see this summer.
:: Could your character bio distract you from your story?
:: Find the voice of your series, then the show writes the show.
:: Save the trouble, your loved ones can be your experts.
:: Act II:2, weeding out the theme. What’s your story really about?
:: Great scene to ‘rattle your characters’ cages’: Cameron Crowe’s “Almost Famous.”
:: “There Will be Blood” Paul Thomas Anderson in the Hollywood Conversation Series.
:: Screenwriting help: how to write numbers in your dialogue.
Best o/t Web 18 Apr 10
:: Check out the “Death at a Funeral” script.
:: Stop talking, checking, blogging and start writing.
:: David Lynch’s favorite filmmakers in 60 seconds.
:: Organic characters, memorable dialogue.
:: Facing all your bad scripts, once and for all.
:: What they mean by “pre-awareness title.”
:: A quick and easy rom-com idea, they’re everywhere.
:: Theme and character through flashback, the “flashpresent.”
:: Words with Matthew Vaughn of “Kick-Ass.”
:: Archetypal structure 101: The Virgin’s Promise.
:: Know how know now, script clearance and screenwriting business.
:: Jane Goldman of “Kick-Ass” on the 11-year-old girl kicking ass.
:: Keith Calder on the Arc of Awesome.
Best o/t Web 11 Apr 10
:: Keep it clear, clarity in your script.
:: First half, second act, all development.
:: Considering evil: crafting your villain’s motivations.
:: The climate of selling your spec script.
:: The ins and outs of Final Draft 8.
:: Filmfellas define themselves in terms of filmmaking.
:: What a romance. Interview with Nicholas Sparks.
:: Don’t confess, Chess. Character and dialogue in suspense stories.
:: Avoid surface humor, making jokes with your character in mind.
:: Taking notes, keeping cool. Advice for a beginning screenwriter.