Story. Screenplay. Sale.
If you like longer contributions, check out these articles that run over several posts.
Keeping the audience interested throughout the ‘setup’ is a major challenge as professional readers won’t last until the Inciting Incident if the first ten or twelve pages don’t deliver. The ‘setup’ is often a complete sequence in which we see the ‘Ordinary World’, the protagonist’s ‘normal life’, an area of the story that by its … Read more
RATATOUILLE has 1 (one) deleted scene. It is a long, uninterrupted travel from a wide establishing shot of the Paris skyline down to street level, through the Auguste Gusteau restaurant and ending on a medium shot of Remi. The shot could have been spectacular, reminding of the opening shot of TOUCH OF EVIL and its … Read more
MICHAEL HAUGE is a story consultant, author and lecturer who works with writers and filmmakers. He has coached or consulted on projects for Will Smith, Julia Roberts, Robert Downey, Jr. and Morgan Freeman, plus every Hollywood studio. I am speaking with Michael about his career, his teaching and his first visit to Australia in May … Read more
When talking about story structure, many people talk about where exactly in the story the structural element needs to happen. Often this is expressed in terms of a page number, or even a percentage of the film’s total duration. I would prefer to leave such quantification aside for a moment and rather look into what … Read more
Inciting Incident, Catalyst, Call to Adventure, Disturbance. All terms referring to the first crucial moment: the point where your story kicks off. Michael Hauge closes the first of his six story stages with it, at the 10% point of the story (10mins in a 100mins movie). Paul Gulino sees it as the end of the … Read more