Story. Screenplay. Sale.
Struggling with a passive protagonist? Let’s look into what causes this passivity. Remember, a hero is not ‘active’ because he is always running, fighting, arguing etc. A hero is not ‘passive’ because he is never doing any of those, either. by Karel Segers Here is a list of points that in my view will have … Read more
A structural overview of Terminator 2: Judgment Day (J. Cameron, 1991). Terminator 2 offers amazing entertainment, with groundbreaking visual effects and unexpected character layers. Just like he did five years earlier with Aliens, co-writer/director James Cameron delivered an exceptionally satisfying sequel. ACT ONE Sequence A: Two Terminators 00.00 Girl on swings, idyllic ‘silence before the … Read more
A cult comic, two charismatic teen actresses, an inspired director and a sparse score. Six pages of a comic book were turned into one of the coolest movies of the decade. A structural overview of Terry Zwigoff’s Ghost World (2001). Because the plot points are often quite subtle, structurally this film seems a bit fluid and the protagonist’s … Read more
Keeping the audience interested throughout the ‘setup’ is a major challenge as professional readers won’t last until the Inciting Incident if the first ten or twelve pages don’t deliver. The ‘setup’ is often a complete sequence in which we see the ‘Ordinary World’, the protagonist’s ‘normal life’, an area of the story that by its … Read more
MICHAEL HAUGE is a story consultant, author and lecturer who works with writers and filmmakers. He has coached or consulted on projects for Will Smith, Julia Roberts, Robert Downey, Jr. and Morgan Freeman, plus every Hollywood studio. I am speaking with Michael about his career, his teaching and his first visit to Australia in May … Read more