Story. Screenplay. Sale.
Following UNK’s publication of his post on The Mid Point and to the benefit of the students in a recent HERO’S JOURNEY workshop, I have updated the article of 20 April last year about this important turning point. Since writing the below post, I have come to realise that the mid point may well be … Read more
The first film of the Indiana Jones quadrilogy was created by Spielberg and Lucas, two of the greatest filmmakers of their generation, and offers a timeless piece of entertainment. This is a text book example of a Hero’s Journey, and an excellent starting point for screen story study. Did I mention it is also great … Read more
A structural overview of Iron Man (Mark Fergus, Hawk Ostby, Art Marcum, Matt Holloway 2008). Not just a great comic book adaptation and an exciting action flick, but also an elegantly written piece of cinema entertainment, executed with a daring cast and grounded in a solid foundation of character. ACT ONE SEQUENCE A – Tony … Read more
Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says: “Tell the truth.” (see the previous post) McKee means: your story needs to reflect your worldview. If you contradict whatever you believe in for the sake of commerce, you will fail. During his Arthouse seminar, he gives … Read more
The finest writing not only reveals true character, but arcs or changes to that inner nature, for better or worse. In 1998 McKee signed my first edition hardback of STORY. He wrote: “To Karel: Tell the TRUTH!” Ironically with the quote at the top of this article, McKee is not telling his own truth.(*) He … Read more