Story. Screenplay. Sale.
“Most writers work alone. They send in the script and it gets rejected. And they never find out why. The fact is, you can’t succeed as a professional writer if you don’t get professional feedback. You must find out the weaknesses of your story or script before you send it in.” This is not me … Read more
Once past the Ordeal, the hero is ready to Seize the Sword, says Chris Vogler. In July we received development funding for THE MORTAL COIL. Next it was selected into SPAAmart and now the AFC is funding the production of the animation ACID SUN, after only one application. It sounds like OZZYWOOD Films is seizing … Read more
No post in September. I had other matters to attend to (photo). (For the whole story, you may have to brush up on your Dutch.) If you’re set in your writing ways and happy with your Underwood, just skip straight to the DVD Commentary section. Otherwise, here are some tips to save you the money … Read more
Turning real events into a working screen drama is a hell of a challenge. Whether it be a historical movie, biography or docu-drama, the smart screenwriter remains true to the spirit of the subject rather than an accurate report of the events. Plus: the principals of drama must dictate how the story is (re-)structured. UNITED … Read more
Occasionally I receive requests to read a first draft and even a first draft by a first time writer. I do indeed offer story consultancy but these are requests to read – for free – with the hope of getting a producer’s attachment. With all due respect, but you’ve gotta be kidding. (Disclaimer: if you’re … Read more