Story. Screenplay. Sale.
Tracy Richardson is a former Story Department student and client whose debut script LIGHTING UP has been moving forward steadily since being selected a finalist in a national pitching competition back in 2006. Last year she worked with Michael Hauge as part of Inscription. Last month Tracy traveled South to attend the NSC in Adelaide. … Read more
National Screenwriters’ Conference 2009: Kenny – Plumbing the depths by: David Tiley Screen Hub Thursday 26 February, 2009 Before opening a completely charming discussion with Andrew Knight about the writing of ‘Kenny’, Clayton Jacobson produced some very sobering numbers. Kenny cost $500,000. By the time the film returned $5m, he was still $250,000 in debt. … Read more
I like it. I don’t love it. And I see why it is not getting the word of mouth it deserves. My take on the film is primarily from a broad story perspective. I don’t go into dialogue, performance, SFX etc. because I believe they are secondary and ultimately not decisive for the success of … Read more
Zinneman called it a ‘necessary evil’ and wordsmith par excellence David Mamet says: “A good film script should be able to do completely without dialogue.“ I am not an expert, not even a native English speaker and I most certainly lack a deep knowledge of vocabulary. My passion is for story and structure. So much … Read more
Should you write a happy ending? Commercial common sense will tell you: yes, you should. Robert McKee says: “Tell the truth.” (see the previous post) McKee means: your story needs to reflect your worldview. If you contradict whatever you believe in for the sake of commerce, you will fail. During his Arthouse seminar, he gives … Read more