Story. Screenplay. Sale.
McKee’s STORY gave me the illusion the logline is one of the last things you ever write. Why? Because during development, things can change. Of course McKee is right. The creative process is unpredictable and you know where you start but you don’t know where you’ll end. Really? If you are assuming things can change … Read more
The essence of ‘plot point’ is the essence of drama, yet I find it hard to define. There will always be unresolved elements in its definition, much in the same way the responses to a kid’s unrelenting questions ultimately lead to the question about the Meaning of Life. Inside the Plot Point lies the Meaning … Read more
“The more time spent with a character, the more opportunity to witness his choices. The result is more empathy and emotional involvement between audience and character.” -Robert McKee In his introduction about point of view (POV) in the scene, Robert McKee focuses on screen time and the physical location of the camera. POV is more. … Read more
I was surprised to read the following quote from respected Australian screenwriter Keith Thompson: “an overt focus on structure may be to the detriment of the script overall. He prefers to discuss scripts using more generic terms such as beginning, middle and end. The hero’s journey (a la Campbell and Vogler) should be approached warily.” … Read more
Earlier this year, a friend of mine bought an expensive High Definition Video camera. He had saved up for it for a long time. In stead he could have bought a second hand Subaru. But he doesn’t care he doesn’t have a car. He has a dream. The Australian Dream. Australia is a hands-on type … Read more