[The Dept Revisited]: Structuring the Facts

Turning real events into a working screen drama is a hell of a challenge. Whether it be a historical movie, biopic or docu-drama, the smart screenwriter stays true to the spirit of the subject, not the newsroom version of the events. by Karel Segers The principals of drama must dictate how the story is (re-)structured. … Read more

Video: Robert McKee On Formulaic Writing

When McKee speaks, many listen because he likes to be blunt. Here he seems to go against the likes of Michael Hauge, who place certain turning points at certain pages or percentages of the script. But the Queen Bee Guru gets it wrong, too…

At some point during this video, McKee says

“Raiders of the Lost Ark” was in seven acts.
It could be seven, eight, nine acts structures,
in “Speed,” if you counted the major reversals
in a chase film like “Speed” it’s probably nine.”

Thereby he ignores the difference between a sequence and an act. This is not helpful. As a matter of fact, the more I hear McKee, the more I wonder whether he actually has much practical advice to offer for screenwriters.

What do you think?

With thanks to Louise Lee Mei and Niels Abercrombie.

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Best o/t Web 28 Feb 10

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11 Laws of Great Storytelling

Jeffrey Hirschberg says: “While it is impossible to have a foolproof formula, I have learned certain principles dramatically increase the probability of your story achieving a modicum of greatness.” by Jeffrey Hirschberg Throughout my years of screenwriting I have read and analyzed thousands of scripts from writers of all levels, including screenplays from my students … Read more