Here’s my weekly selection from the blogosphere. Feel free to recommend anything or give your feedback in the Questions and Comments below.
And don’t forget you can subscribe to our posts so you don’t miss any of this, ever.
Story. Screenplay. Sale.
Story & Structure :: Hey, What’s the Big Idea? :: Short Act Three :: The Downside of TV’s Golden Age :: Silence is Golden: The Making of The Artist Script Perfection :: Screenwriting Tips: Characters Who Don’t Want or Need Anything :: Concept is King :: Script Review: The Disciple Program Pitching & Selling :: … Read more
:: Independent film, the new horizons. :: Why companies toss your spec script. :: Using dialect in your script, and how to go about it. :: “Descent”, what makes it genuinely scary. :: Three-act-structure, a review. :: How do you know if your screenplay is original? :: Characters in your script, when to name names. … Read more
Here’s my weekly selection from the blogosphere. Feel free to recommend anything or give your feedback in the Questions and Comments below.
And don’t forget you can subscribe to our posts so you don’t miss any of this, ever.
Another year with less-than-memorable oscars. Of the movies I have seen, I fail to find any truly great. I won’t go in detail as I suspect there will be an abundance of articles critical of the winner in each category. Closest to timeless comes WALL-E and despite the fact that the film has ruined the … Read more
This blog started when a certain analysis of Michael Mann’s THE INSIDER sparked my frustration. Discussing BLADE RUNNER in a story workshop recently, I felt I was close to doing the exact same thing. To this date I don’t fully agree with her INSIDER analysis but Linda Aronson taught me this: to learn story, you … Read more